纪实与观念的双重演进—景观摄影研究
发布时间：2018-09-18 10:27
【摘要】：本文是把近些年来在中国当代摄影领域中出现的景观摄影，带入到世界摄影史的坐标系中进行全面的历史性考察，也是围绕景观摄影的本质属性在理论上的梳理与总结。 本文首先从景观摄影的历史演进入手，概括出不同历史时期，景观图像中所承载的社会文化内涵，并揭示当代社会“景观”的本质。其次重点分析景观摄影从记录到观念的美学发展过程，，同时两者在当代摄影中显现融合的趋势并出现新的美学转向。之后是本论文的重点部分，对景观摄影的视觉修辞进行系统分析，并提出纪实与观念的互涉和政治与美学的互混是景观摄影的重要语境系统。最后对景观摄影进行本土性考察，着重分析景观摄影在中国纪实摄影和观念摄影中所扮演的双重身份，以及景观摄影外部的观念呈现与内部的精神所指。 本文认为：景观摄影秉承了后现代艺术的批判理念，改变了传统风景意向而转向社会景观，同时在冷漠的无表情外观下包含着作者主体意识的觉醒，也掀起了利用影像对抗现实的序幕，并在当代艺术中扮演着重要的角色。
[Abstract]:In this paper, landscape photography, which has appeared in the field of contemporary Chinese photography in recent years, is brought into the coordinate system of the world photography history for a comprehensive historical investigation, but also around the nature of landscape photography in the theoretical review and summary. This paper begins with the historical evolution of landscape photography, summarizes the social and cultural connotation of landscape images in different historical periods, and reveals the essence of "landscape" in contemporary society. Secondly, it analyzes the aesthetic development process of landscape photography from record to concept, and at the same time, shows the trend of fusion and new aesthetic turn in contemporary photography. Then it is the key part of this paper, which systematically analyzes the visual rhetoric of landscape photography, and points out that the interrelation between documentary and concept and the mixing of politics and aesthetics is the important context system of landscape photography. Finally, this paper makes a local investigation on landscape photography, focusing on the analysis of the dual identity played by landscape photography in Chinese documentary photography and conceptual photography, as well as the external concept of landscape photography and the inner spirit of landscape photography. This paper holds that landscape photography inherits the critical idea of post-modern art, changes the traditional landscape intention and turns to social landscape, and at the same time it contains the awakening of the author's subjective consciousness under the indifferent and expressionless appearance. It also raises the prelude of using images against reality and plays an important role in contemporary art.
【学位授予单位】：浙江农林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J405
本文编号：2247619
[Abstract]:In this paper, landscape photography, which has appeared in the field of contemporary Chinese photography in recent years, is brought into the coordinate system of the world photography history for a comprehensive historical investigation, but also around the nature of landscape photography in the theoretical review and summary. This paper begins with the historical evolution of landscape photography, summarizes the social and cultural connotation of landscape images in different historical periods, and reveals the essence of "landscape" in contemporary society. Secondly, it analyzes the aesthetic development process of landscape photography from record to concept, and at the same time, shows the trend of fusion and new aesthetic turn in contemporary photography. Then it is the key part of this paper, which systematically analyzes the visual rhetoric of landscape photography, and points out that the interrelation between documentary and concept and the mixing of politics and aesthetics is the important context system of landscape photography. Finally, this paper makes a local investigation on landscape photography, focusing on the analysis of the dual identity played by landscape photography in Chinese documentary photography and conceptual photography, as well as the external concept of landscape photography and the inner spirit of landscape photography. This paper holds that landscape photography inherits the critical idea of post-modern art, changes the traditional landscape intention and turns to social landscape, and at the same time it contains the awakening of the author's subjective consciousness under the indifferent and expressionless appearance. It also raises the prelude of using images against reality and plays an important role in contemporary art.
【学位授予单位】：浙江农林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J405
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本文编号：2247619
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