镜头前的释放与约束
发布时间：2018-10-19 12:03
【摘要】：纪实摄影，一讲到“纪实摄影”出现在人们印象里的应该是“抓拍”“偷拍” —即摄影师要眼明手快的抓住一个瞬间性的画面。摄影者在拍摄时应不打扰拍摄对象，是摄影者处于一种不被发现的状态中，对被拍者进行拍摄，使得被拍者处于一种自如的不知你存在的环境里。不因知道拍摄者的存在而产生心理上的变化或者负担，造成一些行为及表情变化，而这些变化就是我要发掘的，也正是我的创作及论文要诠释的。本文主要以镜头前的释放与约束为研究主线，用抓拍与摆拍形成鲜明的对比，反应镜头前后摆拍者的心理变化过程。 我的创作想要反映的是被拍者自身是否与“自我”吻合，，在只是知道被拍摄前后时，被拍者的反应是否都会不同，如果遇到其他情况，被拍者在照片上的那个影像是不是真实真正的自我。更进一步地说㑳“照片中的你是你吗？你是否是真实的自己。当今社会越来越浮躁，你还是真正的自我吗？”，通过偷拍或抓拍的形式，记录真实的影像与干涉后所摆拍的影像，前后两者进行比较。利用摄影客观记录瞬间事实的功能，将一种状态变化的前后，客观的记录下来，这属于一种纪实摄影内的实验性尝试。
[Abstract]:Documentary photography, when it comes to "documentary photography" appears in people's minds should be "capture" and "secretly"-that is, photographers to grasp a moment of the picture. The photographer should not disturb the subject when shooting is that the photographer is in an undiscovered state to shoot the subject so that the subject is in a free and unknown environment. There are no psychological changes or burdens caused by knowing the presence of the photographer, resulting in some changes in behavior and expression, and these changes are what I have to explore, and which I am writing and explaining. This paper focuses on the release and constraint in front of the lens, and uses the capture and swing to form a sharp contrast to reflect the psychological change process of the front and rear swing. What I wanted to do was to reflect whether the person who was being photographed was the same as the "self," and if I knew whether the person would react differently before and after the shoot, if anything else, The image of the subject in the photo is not true to the true self. Further? "are you in the picture? Are you who you are. Today's society is becoming more and more impetuous, are you still true self? ", through the form of secretly taking or grabbing, record the real image and the image after interference, before and after the comparison between the two. It is an experimental attempt in documentary photography to make use of the function of recording instantaneous facts objectively and objectively before and after a state change.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J404
本文编号：2281057
[Abstract]:Documentary photography, when it comes to "documentary photography" appears in people's minds should be "capture" and "secretly"-that is, photographers to grasp a moment of the picture. The photographer should not disturb the subject when shooting is that the photographer is in an undiscovered state to shoot the subject so that the subject is in a free and unknown environment. There are no psychological changes or burdens caused by knowing the presence of the photographer, resulting in some changes in behavior and expression, and these changes are what I have to explore, and which I am writing and explaining. This paper focuses on the release and constraint in front of the lens, and uses the capture and swing to form a sharp contrast to reflect the psychological change process of the front and rear swing. What I wanted to do was to reflect whether the person who was being photographed was the same as the "self," and if I knew whether the person would react differently before and after the shoot, if anything else, The image of the subject in the photo is not true to the true self. Further? "are you in the picture? Are you who you are. Today's society is becoming more and more impetuous, are you still true self? ", through the form of secretly taking or grabbing, record the real image and the image after interference, before and after the comparison between the two. It is an experimental attempt in documentary photography to make use of the function of recording instantaneous facts objectively and objectively before and after a state change.
【学位授予单位】：云南艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J404
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本文编号：2281057
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