甘丹颇章时期西藏工艺美术研究

发布时间：2018-01-09 00:20

本文关键词：甘丹颇章时期西藏工艺美术研究　出处：《西藏大学》2017年硕士论文　论文类型：学位论文

【摘要】：工艺美术是西藏艺术发展历程中必不可少的重要元素之一,随着历史的变迁,西藏的工艺美术经历了不断的发展和演变。甘丹颇章时期,西藏的工艺美术发展趋于成熟和完善,该时期是西藏工艺美术发展的重要阶段。西藏人民以工艺美术作品作为精神文化和物质文化的载体,呈现出浓厚的民族特色与精神追求,是西藏人民生活中不可或缺的元素,同时也是解读西藏人民生产和生活方式以及审美文化最具象、最有说服力的研究对象。本论文通过对甘丹颇章时期西藏的古籍资料、考古调查报告、图像资料以及游记的分类整理,为研究该时期西藏的工艺美术打下了基础,进而厘清该时期西藏工艺美术发展的历史脉络。并从时间和空间的纵向和横向等不同的视角分析艺术发展和不同地域之间文化相互借鉴的途径,重点论述和分析甘丹颇章时期西藏工艺美术的类型、发展演变以及审美特征等,主要从以下三个方面去展开论述:首先,从时间范围内纵向梳理甘丹颇章时期西藏地区以及中央地区的历史背景,还原该时期的历史状态。同时,总结该时期西藏工艺美术发展的社会背景,其中包括科技、行会制度以及经济方面,从空间上横向分析甘丹颇章时期西藏工艺美术发展的社会背景。其次,归纳分类,将西藏地区丰富多样化的工艺美术进行总结分类,主要包括服饰、金工铸造、编织、雕刻等类别。并从该时期的工艺美术作品中分析甘丹颇章时期西藏地区工艺美术的发展演变过程,结合该时期西藏地区与周边国家和地区的交流较为频繁,运用美学原理和意蕴对制作材料、款式纹样以及工艺技术等方面的进步情况进行辨析。再次,阐述甘丹颇章时期西藏地区工艺美术发展的多元文化景观及审美特色,一方面,提出西藏地区的宗教特点以及外来文化对其本土文化的影响以及分析在工艺美术品上的体现;另一方面,通过研究甘丹颇章时期西藏的工艺美术,揭示西藏人民对于外来文化兼容并蓄以及取其精华、弃其糟粕的态度。同时,结合甘丹颇章时期西藏工艺美术作品的特点,分析和阐释出由文化的相互借鉴、本土宗教的影响以及藏传佛教文化的渗透等因素交织作用而形成的以工艺美术为载体的西藏人民的审美特色。最后,通过了解和掌握甘丹颇章时期西藏工艺美术的发展和演变,同时结合近年来国家提出的“非遗”保护以及“工匠精神”等一系列的政策,呼吁学术界对于断代工艺美术研究的应该作为。
[Abstract]:Art is the essential element of the development of art in Tibet, with the change of history, arts and crafts of Tibet has developed and evolved continuously. Gandan pochang period, Tibet arts and crafts development become more and more mature and perfect, this period is an important stage of development of Tibet arts and crafts. The people of Tibet arts and crafts works the carrier of spiritual culture and material culture, showing a strong national characteristics and the spirit of the pursuit, is an indispensable element of life of the people of Tibet, but also the interpretation of the Tibet people's production and life style and aesthetic culture of the concrete, the most convincing research object. This thesis based on the Gandan pochang in Tibet during the period of ancient archaeological data. The investigation report, the image data and finishing the classification of travel notes, the Tibet arts and crafts for the study period laid the foundation, and then clarify the period of the West History of the development of Tibetan art. And from the vertical and horizontal analysis way from various angles such as arts and cultural development between different regions and learn from each other in time and space, the type of art Tibet technology emphatically discusses and analysis of Gandan pochang period, as well as the evolution of the special sign, mainly from the following three aspects to unfold. Discussion: first, from the Tibet area within the time period and the vertical comb Gandan pochang central area of the historical background, the reduction of the history of the period. At the same time, summarize the development process of the Tibet art era of social background, including science and technology, guild system and economic development of Tibet, from the art process space horizontal analysis rather Gandan the period of the social background. Secondly, classification, will enrich the diverse arts and crafts in Tibet area are summarized classification, including clothing, metal casting, Weaving, carving and other categories. And analysis of the development of art in Tibet area during the process of Gandan pochang from the period of the works of Arts and crafts in the evolution process, combined with the Tibet region in the period with neighboring countries and regions are more frequent exchanges, the use of aesthetics principle and implication of the production of materials, analyze the progress of technology and other aspects of patterns and styles again, this multicultural landscape development in Tibet arts and crafts Gandan pochang period and aesthetic characteristics, on the one hand, the religious characteristics of the Tibet region and the influence of foreign culture on the local culture and the analysis is reflected in the Arts and crafts of; on the other hand, through the study of Gandan pochang during the period of the Tibet arts and crafts the people of Tibet, to reveal the foreign culture and fully inclusive and equitable take the essence and discard the dross attitude. At the same time, combined with Gandan pochang during the period of the Tibet Arts and crafts The characteristics of the work, analysis and interpretation of the cultural and aesthetic features from each other and influence the formation of native religion and Tibetan Buddhism culture and other factors intertwined role in art as the carrier of the people of Tibet. Finally, through the understanding and mastering the development and evolution of Tibet art technology Gandan pochang period, combined with the recent years to the national intangible cultural heritage protection and artisan spirit "and a series of policies for the academic study of art should be dating.

【学位授予单位】：西藏大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J120.9

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