当代艺术坐标系统与自我剖析

发布时间：2018-02-24 03:36

本文关键词： 当代艺术坐标系统自我剖析　出处：《中央美术学院》2009年硕士论文　论文类型：学位论文

【摘要】： 文章分为三部分,第一部分是我视野中的中国当代艺术系统。基于自身的嗅觉,把“我”放这个坐标系的原点,展开以“艺术家们”为X轴,以“艺术家以外的能量”为Y轴的横纵关系,从而使这段历史的学术演变以立体的方式呈现在眼前。在“艺术家们”这一部分,采用田野调查的方法总结了近二十年内各个艺术团体的分类依据,代表艺术家,作品与成就。所选案例的排列顺序即它们在我视野里出现的顺序;着墨多寡则由它们对我的相对参考价值决定;描述和分析的笔力集中在案例“此刻”的现实意义上。比如其中对“f4”的论述不多,都以市场行情为导向;再比如与我年龄相近,并且具有“先锋性”的艺术家,除了把他们归纳到群体里以外,更作为单独案例记述。我不属“艺术家以外的力量”,因此虽然它与我直接相关,但点到为止,不做赘述。在文章的第二部分,我进行了系统地自我梳理。其中分为几个部分:1、研究生学习与创作的关系。2、概述我的创作风格和审美取向。3、通过作品《100天100件》梳理自我创作系统。4、通过个人作品的详析,论述创作媒介的多样性。由以上论述得出结论,即文章第三部分:认知系统上的变化,艺术气质上的转移.是我提出本文系统的原因。个人必定存在系统背景中,同时又要时刻保持着与系统的距离,所以对系统的研究是必不可少的。
[Abstract]:The article is divided into three parts, the first part is the contemporary art China system in the field of vision. Based on their sense of smell, "I put the origin of the coordinate system", to "artists" to the X axis, Y axis vertical and horizontal relationship with "artists outside energy", so that this period of history the academic evolution presented in three-dimensional way in front of us.
In "the artist", using field survey methods are summarized according to the classification, various art groups in the last twenty years on behalf of the artists, works and achievements. The selected cases the order that they appear in my field of vision in order; inking amount by them on my relative reference value to describe the decision; and the analysis focuses on the case of "practical significance at the moment". For example, the "F4" little discussion, with the market oriented; another example with my age, and has a "pioneer" of artists, in addition to their induction to the group, more as a separate case description. I do not belong to the "artists outside forces", so although it is directly related with me but you, not to repeat them.
In the second part, I systematically self sort. Which is divided into several parts: 1,.2 graduate study and creation, an overview of my creation style and aesthetic orientation of.3, through the works of <100 day 100 > sort of self creation system.4, through the detailed analysis of individual works, discusses the diversity the creation of the media.
From the above discussion conclusion, namely the third part: the changes of cognitive system, transfer of artistic temperament. I proposed this system. There must be a system of personal background, but also keep with the distance to the system, so the research on the system is indispensable.

【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J120.9

【相似文献】