转变与超越——耿占春叙事美学观念述评

发布时间：2018-02-24 11:30

  本文关键词： 叙事美学 耿占春 符号 象征　出处：《当代文坛》2017年06期 　论文类型：期刊论文

【摘要】：面对复杂的符号和象征组成的现代叙事体系,耿占春主要关注两个问题:其一为叙事的时代转变及其社会意义,另一个则是现代叙事对传统叙事的超越(即"百科全书"式的小说)。叙事的新传统已经在十九世纪末、二十世纪初得以确立,它大不同于此前的写作,叙事学及其理论的地位也随之提升。就叙事美学的基本观念而言,耿占春所提出的"百科全书"小说,首先是对集体经验的对抗和重构,其次是对情感与知识边界的超越。
[Abstract]:In the face of the modern narrative system composed of complex symbols and symbols, Geng Zhanchun focuses on two issues: one is the change of the times of narration and its social significance. The other is the transcendence of modern narration to the traditional narrative (that is, the encyclopedia novel.) the new tradition of narrative has been established in late 19th century and early 20th century, which is quite different from previous writing. In terms of the basic concept of narrative aesthetics, the encyclopedia proposed by Geng Zhanchun is, firstly, the confrontation and reconstruction of collective experience, and secondly the transcendence of emotion and knowledge.
【作者单位】： 海南大学人文传播学院;
【分类号】：I01
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本文编号：1530075