法度中的创造:西藏唐卡画师对造像量度的艺术实践

发布时间：2018-03-02 00:15

  本文关键词： 造像量度 藏传佛教造像 唐卡 西藏画师 艺术创造性　出处：《民族艺术》2017年02期 　论文类型：期刊论文

【摘要】：造像量度是藏传佛教造像严格依据的身量比例与审美标准。从西藏画师的主位视角来看,虽然佛经中以数据和象征语言对唐卡的造像量度进行了详细地规范,但是在绘画实践中,画师需要有选择地使用忒康、勉昂与昂忒等各种量度线提高造型的生动性,决定是否增减造像的身量比例以解决因特殊尺寸而产生的视觉差,思考如何调整动态线以优化造像的体态与身姿,以及通过面部细节的微妙关系处理表达出各自对佛之相貌与神态的不同理解。在唐卡的起稿过程中,西藏画师不仅要根据图像和文献资料进行体悟,还需要通过程式化训练实现个性刻画,在法度中进行艺术创造。
[Abstract]:Figurative measurements are strictly based on the body size ratio and aesthetic standard of Tibetan Buddhist statues. From the perspective of Tibetan painters, although the Buddhist scriptures regulate the measurement of Tangka's statues in data and symbolic language in detail, But in the practice of painting, the painters need to selectively use various measuring lines such as Tekon, Mian and Ante to improve the vividness of the modelling, and decide whether to increase or decrease the proportion of the figure to solve the visual difference caused by the special size. Think about how to adjust the dynamic line to optimize the posture and posture of the portrait, and to deal with the subtle relationship of facial details to express their different understanding of the Buddha's appearance and manner. Tibetan painters not only need to understand according to images and documents, but also need to achieve personality portrayal through stylized training, and create art in law.
【作者单位】： 云南民族大学艺术学院;中国社会科学院民族学与人类学研究所;
【基金】：国家社科基金西部项目“藏传佛教造像量度理论与实践研究”(14XZJ021) 中国博士后科学基金第9批特别资助项目“藏传佛教绘画的造像量度传承与实践研究”(2016T90173)阶段性成果
【分类号】：J19

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1 文渝;d)度之间话造像——唐卡中佛教造像的量度[J];西藏旅游;2003年06期

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