“清香”与“铜臭”——基于艺术遗产市场化的思考

发布时间：2018-03-07 09:15

本文选题：艺术遗产　切入点：艺术品市场　出处：《艺术评论》2017年03期 　论文类型：期刊论文

【摘要】：正艺术具有“价值”,这没有异议;艺术的“价值”有多种不同的维度,这没有异议;艺术具有市场“价值”,这也没有异议;只是,艺术的市场价值反过来巨大地“区隔”甚至“异化”着艺术家、艺术品和艺术创作。“在现代,一幅梵·高的原作能值成百上千万美元;而一幅赝品,或是一幅由他的助手(如果他有的话)绘制的作品实际上就会一文不值。今天的博物馆的策展人更愿意得到一幅凡·艾克的绘画,而不是他的助手彼特鲁斯·克
[Abstract]:There is no objection to the "value" of art; there are many different dimensions to the "value" of art; there is no objection to the "value" of art in the market; it is only that there is no objection to the fact that art has "value" in the market. The market value of art, in turn, is vastly "segregated" and even "alienated" by artists, works of art, and artistic creation. "in modern times, a Van Gogh original is worth millions of dollars; a fake," Or a painting drawn by his assistant (if he has one) would actually be worthless. The curator of today's museum would rather have a painting by Van Ike than his assistant, Petrus K.
【作者单位】：四川美术学院“艺术遗产研究中心”;厦门大学人类学系;
【分类号】：J114

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