中国文化背景下的审美移情理论研究

发布时间：2018-03-23 12:08

本文选题：文化背景　切入点：情　出处：《江西师范大学》2009年硕士论文

【摘要】： 本文立足于中国文化背景,从思想层面的移情理论入手,讨论中国审美移情理论产生的语境。论文系统论述了艺术移情、山水移情和文学接受中的移情三方面的审美移情理论,并对中西审美移情理论做了比较。艺术移情探讨的是中国古代音乐移情和绘画和书法移情理论,论及移情在各种音乐活动中的表现、音乐移情发生的主客观条件、音乐移情的作用、以及音乐移情与顿悟之关系,绘画和书法移情主要从审美欣赏角度论述绘画移情发生时的状态。山水移情理论述了移情山水的类型、山水移情与归隐、比德、以及文学创作的关系。文学接受中的移情理论论及文学接受移情发生时的心理状态和移情发生的条件两方面。中西审美移情理论有相通之处,又存在着较大差异。中西审美移情理论相通之处是二者对移情发生时审美主体的心理状态的描述,差异体现在二者的研究倾向、研究对象、内涵以及文化背景方面。本文得出结论:中国不仅有“移情”概念,而且有自己文化背景下的审美移情理论;中国审美移情理论很早出现,有着广泛的研究领域和丰富、独特的移情内涵,强调审美主体的情感体验。中国审美移情理论中的移情有西方审美移情理论中的感情转移之意,但这种转移是感情在审美主体和审美对象之间的双向流动,物之美激发人之情,人又把被物激发出的感情投入到物中,达到物我同一的境界;中国审美移情理论中的移情又有移易人的情志之意,带有较强的中国儒家文化的教化意味。
[Abstract]:Based on the background of Chinese culture, this paper discusses the context of Chinese aesthetic empathy theory from the perspective of empathy theory. The thesis systematically discusses the aesthetic empathy theory in three aspects: artistic empathy, landscape empathy and literary empathy. It also compares the theory of aesthetic empathy between China and the West. The art empathy discusses the ancient Chinese musical empathy, painting and calligraphy empathy theory, discusses the expression of empathy in various musical activities, the subjective and objective conditions of musical empathy. The role of musical empathy, and the relationship between musical empathy and epiphany, painting and calligraphy empathy mainly from the perspective of aesthetic appreciation of the state of painting empathy. And the relationship between literary creation and literary creation. The empathy theory in literary acceptance deals with the psychological state and the conditions under which empathy occurs in literary acceptance. There are similarities between Chinese and Western aesthetic empathy theories. The similarities between Chinese and Western aesthetic empathy theories are the description of the psychological state of the aesthetic subject when empathy occurs, and the difference is reflected in their research tendency and research object. In terms of connotation and cultural background, this paper draws a conclusion that China not only has the concept of empathy, but also has its own theory of aesthetic empathy under its own cultural background. The unique connotation of empathy emphasizes the emotional experience of the aesthetic subject. The empathy in the Chinese aesthetic empathy theory has the meaning of the emotion transfer in the western aesthetic empathy theory, but this transfer is the two-way flow of the emotion between the aesthetic subject and the aesthetic object. The beauty of things inspires the feelings of people, and people put the feelings inspired by things into things to achieve the same state of things and I; the empathy in the theory of Chinese aesthetic empathy has the meaning of changing people's feelings, with the strong enlightenment of Chinese Confucian culture.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I01

【引证文献】