数字人文与数字艺术史浅议

发布时间：2018-03-24 14:58

  本文选题：数字人文　切入点：数字艺术　出处：《美术观察》2017年11期

【摘要】：正数字人文(digital humanities)与艺术史研究的关系体现于近些年兴起的"数字艺术史"(digital art history),它有时被视为数字人文的一个分支,但近年来的反思则认为它有着不同于数字人文的起源。数字人文源于人文计算(humanities computing),即对于计算机在人文研究中的深入运用的理论思考,其标志性事件是意大利的布萨神父(Roberto Busa)于1949年用IBM电脑对托马斯·阿奎那的全集加以标注,以生成拉丁文词语索引。根据苏珊·霍基(Susan Hockcey)的观点,数字人文可分为四个阶段:1949年至1970年为发轫阶段;1970
[Abstract]:The relationship between the positive digital humanities and the study of the history of art is reflected in the "digital art history", which is sometimes regarded as a branch of the digital humanities. But in recent years, the author thinks that it is different from the origin of digital humanism. Digital humanities comes from human computing, that is, the theoretical thinking about the deep application of computer in humanities research. Its iconic event was that Italian priest Roberto Busa used the IBM computer in 1949 to annotate the complete collection of Thomas Aquinas to produce an index of Latin words. According to Susan Hawkiee (Susan Hockcey), Digital humanities can be divided into four stages: 1949 to 1970 as the starting stage
【作者单位】： 海德堡大学东亚艺术史系;
【分类号】：J110.9
，

本文编号：1658798