以本有沉思诗歌:论海德格尔的诗学理论

发布时间：2018-04-05 04:16

  本文选题：海德格尔　切入点：本有　出处：《浙江工商大学学报》2017年02期

【摘要】：将海德格尔始于20世纪30年代诗意之思的思想特质纳入到其思想"转向"过程中所思得的思想主题词本有中考量,本文认为:第一,海德格尔对于诗的理解是从古希腊思想的始源处获得了诗归属于本有的反形而上学认识;第二,诗人荷尔德林所处于的命定时刻及其所承担的历史性命运促发了海德格尔对于作为本有的诗歌的拯救观念的形成;第三,海德格尔赋予诗与思以近邻关系,并让其归属到本有的"四方"环舞中且彼此本质性地进入对方又相互分离地持有自身的本质。故而,诗与思的同一性论述是一种既不同于诗的哲学观,也有别于诗的文学理论论述的海德格尔式诗学理论。
[Abstract]:Taking Heidegger's poetic thinking from the 1930s into consideration, the main theme words of Heidegger's thought in the process of "turning" are as follows: first,Heidegger's understanding of poetry is derived from the origin of ancient Greek thought.The poet Holdrin's destiny and his historic destiny promoted the formation of Heidegger's idea of saving his poems. Thirdly, Heidegger endowed poetry and thought with close neighbors.And let it belong to the original "quadripartite" ring dance and each other essential into the other side and separate from each other to hold their own essence.Therefore, the discussion of the identity between poetry and thought is a theory of Heidegger's style of poetics, which is different from the philosophy of poetry as well as the literary theory of poetry.
【作者单位】： 南京大学哲学系;上海戏剧学院艺术研究所;
【基金】：中国博士后科学基金面上项目“生命政治理论视阈中的生存美学研究”(2016M590433) 江苏省博士后科研资助计划(1601126C) “上海市教育委员会高原学科建设计划Ⅱ高原上海戏剧学院艺术学理论”项目阶段性成果
【分类号】：I052
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本文编号：1713156