当前位置:主页 > 文艺论文 > 文艺评论论文 >

从哲学的途径进入艺术领域

发布时间:2018-04-11 13:55

  本文选题:符号 + 认识 ; 参考:《贵州大学》2009年硕士论文


【摘要】: 本文从哲学谈到艺术,试图寻找一种感受艺术力量的能力和正视艺术价值的方法和途径。认识对象范围在新康德主义和卡西尔那里得到扩大,艺术成为认识的对象。美国哲学家和美学家苏珊·朗格继承和发扬了卡西尔的符号学理论,以认识本身为基础,以认识主体为出发点构建自己的美学体系。 本文的创新点是以苏珊·朗格的理论为主线,运用比较和综合的分析方法,结合苏珊·朗格、笛卡儿、布伦塔诺、佛教量论因明学代表人物法称等哲学家的思想观点来逐一梳理艺术的创作及情感的被表达和被感知这样一系列认识过程,从艺术这个认识对象来谈认识的发生,中西方理论相结合,解释了朗格理论中一些如“直觉”、“心智”等重要的概念,艺术的真谛在认识的过程中得到了体现。 “审美直觉论”是苏珊·朗格理论的重要组成部分。她认为“直觉”作为一种符号活动的过程,兼具感性和理性的特点;在笛卡儿的理论中,人的“悟性”,只有“直观”和“演绎”二类,而“通观”是与“直觉”更为接近的一个概念;布伦塔诺理论体系中将“心理现象”与“物理现象”做了区分,其中心理现象的表象活动正是认识的起点,也是“直觉”发生的起点,表象活动的“意向的”特点是情感与形式得以结合的前提;佛教量论因明学中,知识是通过现量(=直观)与比量(=演绎)而确立的。“心智”的最高境界莫过于“瑜伽智”的生起。无论是艺术作品的创作者还是欣赏者,只有在瑜伽智生起时、在得到自明性体验时,才能真正做到心物合一,情感与形式完全的结合和统一,这时的创造才真正是人类情感的杰作,才能被真正定义为艺术。 从哲学的途径进入艺术领域,需要心灵的指引,需要一颗纯粹专注的心。
[Abstract]:From philosophy to art, this paper tries to find a way to feel the power of art and to face up to the value of art.The scope of the object of cognition was expanded in Neo-Kantianism and Cassier, and art became the object of cognition.American philosopher and esthetician Susan Langer inherited and carried forward Cassier's semiotics theory and constructed his own aesthetic system on the basis of the cognition itself and with the cognitive subject as the starting point.Buddhist Quantification Theory in response to the thought and views of philosophers such as the representative figures and dharma, etc., to sort out a series of cognitive processes such as artistic creation, expression and perception of emotion, and to discuss the occurrence of cognition from the object of understanding art.The combination of Chinese and Western theories explains some important concepts in Langer's theory, such as intuition and mind, and the true meaning of art is embodied in the process of cognition.Aesthetic intuition is an important part of Susan Langer's theory.She holds that intuition, as a process of symbolic activity, has both perceptual and rational characteristics. In Descartes' theory, there are only "intuitive" and "deductive" types of "understanding" of human beings.However, "general view" is a concept closer to "intuition", and Brentano's theoretical system distinguishes "psychological phenomenon" from "physical phenomenon", in which the apparent activity of psychological phenomenon is the starting point of cognition.It is also the starting point of the occurrence of "intuition", the characteristic of "intention" of the expressive activity is the premise of the combination of emotion and form, and the knowledge is established by means of "present quantity = intuitionistic" and "ratio of quantity" = deduction in the theory of quantity of Buddhism.The highest state of mind is the birth of Yoga.Whether it is the creator or the appreciator of a work of art, only when the Yoga wisdom is born and the self-evident sexual experience is gained can the mind and object be truly United, and the emotion and form be fully combined and unified.Then the creation is truly a masterpiece of human emotion and can be truly defined as art.From the philosophical approach to the field of art, need the guidance of the mind, need a pure focus of the heart.
【学位授予单位】:贵州大学
【学位级别】:硕士
【学位授予年份】:2009
【分类号】:J0-02

【参考文献】

相关期刊论文 前6条

1 许为勤;布伦塔诺哲学与大乘佛教原理[J];贵州大学学报(社会科学版);2001年03期

2 顺真;屈原的诗化哲学──屈原辞本体意蕴的现代阐释[J];贵州大学学报(社会科学版);2001年03期

3 许为勤;推演与确证——布伦塔诺知识观解析[J];贵州社会科学;2004年04期

4 顺真;;笛卡尔的悟道[J];江苏行政学院学报;2007年06期

5 许为勤;道德源泉的探寻——布伦塔诺价值哲学及其方法研究[J];天津社会科学;2001年06期

6 许为勤;;从布伦塔诺的表象论看科学、哲学、宗教之关系[J];浙江学刊;2006年01期



本文编号:1736283

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/1736283.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户cd724***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com