意识形态与微观政治——政治波普的两条道路

发布时间：2018-04-13 06:45

本文选题：政治波普 + 意识形态　；参考：《中国美术学院》2010年硕士论文

【摘要】： 1990年代初,“政治波普”登上国际大展的舞台,迅速赢得了国际艺术界的瞩目。在此后的近十年中,“政治波普”成为西方理解和解释“后冷战”中国社会的一面镜子,与当代中国研究中的意识形态化论述连接在一起,并对中国当代艺术形成了长期的影响。本文试图讨论的是,在“后冷战”的意识形态论述的巨大阴影下,我们忽视了中国政治波普中的一种隐性表达,即张培力所代表的从微观政治界面切入,以媒介批判形态表达的政治波普。这条隐性的线索与为人所熟知的王广义的工作一起构成了“政治波普”的两条道路。其一是王广义所代表的,从政治图像学的运作出发,完成意识形态的视觉表述；其二是张培力所探索的,从日常生活的媒介批判入手,抵达微观政治和生命政治的解构。本文第一部分,通过对美国波普艺术以及中国政治波普所发生的情境的比较分析,探讨政治波普特定的历史社会根源；第二部分对1980年代中期到1990年代初的王广义一系列创作进行深入分析,梳理了他从挑战“南方文化”到反艺术史、反偶像再到视觉政治学的艺术历程,并探讨了“大批判”在其个人创作史中的意义和暧昧性；第三部分,通过对“池社”与“85新空间”的分析,讨论张培力这一阶段对绘画情感表达和叙述性的抵抗,以及对“日常”的发现,考察他对媒介的批判性思考和表述,并进一步论证他的工作与政治波普的关系；第四部分致力于对王广义和张培力进行深入比较,分析他们对于政治的不同理解、消解政治的不同方式,以及各自发展出的政治波普的两条道路。
[Abstract]:At the beginning of the 1990s , " political wave universal " appeared on the stage of the international exhibition , quickly gained the attention of the international art world . In the next decade , " political wave " became a mirror of the western understanding and interpretation of the " post - cold war " Chinese society , connected with the ideological and ideological discourse in the contemporary Chinese study , and formed a long - term influence on contemporary Chinese art .

This paper attempts to discuss that under the great shadow of the ideological discourse of the post - cold war , we neglect a hidden expression in China ' s political wave , that is , the political wave of Zhang Pei - li , which is represented by Zhang Pei - li , is cut - in from the micro - political interface and expressed in the form of media criticism .
Second , Zhang Pei - li explores the media criticism of daily life , and arrives at the micro - political and life - political Deconstruction .

In the first part of this paper , through comparative analysis of the situation of American Popper art and China ' s political wave , this paper probes into the historical social origin of political wave .
In the second part , in the mid - 1980s to the beginning of the 1990s , Wang ' s extensive series of creations was deeply analyzed , and the artistic course from the challenge of " Southern culture " to anti - art history , anti - idol and visual political science was analyzed , and the significance and ambiguity of " big criticism " in his personal creative history were discussed .
In the third part , through the analysis of " pool society " and " 85 new space " , this paper discusses the expression and narrative resistance of painting emotion in this stage , as well as the discovery of " day - to - day " , investigates the critical thinking and expression of his media , and further demonstrates his relationship with political wave .
The fourth part is devoted to the in - depth comparison of Wang ' s broad sense and tension , and analyzes their different understandings of politics , the different ways of resolving politics , and the two paths of political wave developed by them .

【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J114

【引证文献】