当代视觉文化的发展趋向

发布时间：2018-04-14 13:12

本文选题：复制 + 图像　；参考：《大连工业大学》2010年硕士论文

【摘要】：从上个世纪末开始，，关于视觉文化的理论和发展的研究就备受国外相关学者和艺术家的关注，从传统的绘画雕塑等架上艺术到以网络多媒体为代表的新媒体艺术，一代代视觉媒介及视觉产品所引发的视觉文化现象都成为了当下的一个热门话题。然而对于视觉文化的关注不论是从事艺术创作的艺术家或是艺术理论研究的学者而言，视觉观看都不仅仅是一个被动的接受过程，而更多的是主动发现的过程。在传统的文化艺术一直将口语词看作智性活动的最高形式，而把视觉表象看做观念阐释的次等形式的观念下，当代新的“图像理论”却开始向传统的话语霸权提出挑战，在此我将以我崭新视角和观点结合多学科领域的知识内容对当代视觉文化的现象进行加工论述。当代视觉文化的理论研究存在相当大的难度，它不是一个独立单一的学科，而是包含了美学、社会学、艺术史、符号学、媒体研究等等多种学科于一体的整合性理论研究。随着各种相关信息的采集量逐渐增大研究的逐步深入，几个有代表性的问题激发了我的研究兴趣成为了论文的突破口使得思维和文章的脉络开始逐渐的清晰，在本论文中大体可以分为三大部分内容主要对视觉文化的历史、现状、未来进行分析及研究，着重研究当代视觉文化发展状态下对当代艺术发展的影响。第一部分主要针对视觉文化发展历程的历史演变和基本理论进行简略总体概述。将这些基本理论与历史分析作为总体的思考的脉络，为进一步深入分析当代视觉文化具体问题的提供必要理论依据。第二部分主要针对视觉文化发展下当代艺术的存在形式（文章着重阐述的部分）进行分析。依次探讨了当代视觉文化的三大主要特征------图像时代、虚拟文化、符号社会。并结合国内外若干典型案例分析了在这些特征下当代艺术发展的状态。第三部分主要针对视觉文化未来发展的预测与展望，艺术的发展进入了相对独立的时期。艺术形式的多样化发展、视觉观看模式日趋开始向同质化、单一化的方向发展、从人工符号到“自然”符号的转变。
[Abstract]:Since the end of the last century, the research on the theory and development of visual culture has attracted the attention of foreign scholars and artists, from the traditional art of painting and sculpture to the new media art represented by network multimedia.The visual cultural phenomenon caused by visual media and visual products has become a hot topic.However, the attention of visual culture is not only a passive process of acceptance, but also a process of active discovery, whether it is an artist engaged in artistic creation or a scholar of art theory.In traditional culture and art, oral words are always regarded as the highest form of intellectual activity, while visual representation is regarded as the secondary form of conceptual interpretation. However, the new contemporary "image theory" has begun to challenge the traditional discourse hegemony.Here, I will discuss the phenomenon of contemporary visual culture with my new perspective and knowledge content in multi-disciplinary field.The theoretical study of contemporary visual culture is very difficult. It is not an independent and single subject, but a theoretical study of integration including aesthetics, sociology, art history, semiotics, media studies and so on.With the increasing collection of various related information and the gradual deepening of the research, several representative questions aroused my interest in research and became the breakthrough point of the paper, so that the thinking and the context of the article began to become clear gradually.This thesis can be divided into three parts: the history, the present situation and the future of the visual culture, focusing on the impact of the development of contemporary visual culture on the development of contemporary art.The first part is a brief overview of the historical evolution and basic theory of visual culture.These basic theories and historical analysis are taken as the overall thinking context to provide the necessary theoretical basis for further analysis of the specific problems of contemporary visual culture.The second part mainly analyzes the existing form of contemporary art under the development of visual culture.This paper discusses three main features of contemporary visual culture-image age, virtual culture and symbolic society.Combined with some typical cases at home and abroad, this paper analyzes the status of contemporary art development under these characteristics.The third part mainly aims at the vision culture future development forecast and the prospect, the artistic development has entered the relatively independent period.With the diversified development of art form, the visual viewing mode begins to develop towards homogeneity and singularity, from artificial symbol to "natural" symbol.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J05

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