林译小说研究

发布时间：2018-05-07 15:09

本文选题：林纾 + 林译小说　；参考：《复旦大学》2009年博士论文

【摘要】： 清末民初之时,林纾(1852-1924)因以古文笔调翻译了大量泰西小说而名声显赫,享有“介绍西洋近世文学第一人”的美誉,虽然林纾本人颇以古文自重,诗、书、画也有所长,并兼及小说和传奇的创作,但论及文学和文化史上的地位,却要首推其翻译。“如以中国文学论林纾,那么林氏简直微不足道”,“他的身价,完全在他译述小说”。自1898年初涉译坛,林纾的系列译作便源源不断、汩汩而出,并逐渐形成品牌,与严复的“严译名著”分庭抗礼,世称“林译小说”。中国现代文学的革命之火和浪漫之源,殆即发端于此,故林译小说极具研究价值。回顾以往的林译研究论著,常有这样的感觉,即它们或者概括林纾生平,从序跋中总结林氏的翻译思想,谈及林译小说的轰动效应,对于真正的翻译层面却很少论述。或者仅以单篇林译世界名著为例,分析林纾翻译的文化特点,对于林译整体却缺乏把握。真正理想的方式应该是两者的结合。本文以林译小说为研究对象,较少旁及其他,分为上下两编。上编涉及林译小说总体研究中的几个问题,从宏观上展现林译小说的基本面貌,并讨论其翻译模式和构成形态。第一章首先回顾林译小说目录的整理历程,并根据笔者发现的译本改名现象,得出林译总数应为193种。在林译小说的类型问题上,指出通常人们有关林译类型的认识受到林译标示的影响,而标示实际上是商务印书馆的促销手段,与小说实际性质不尽一致,林译小说以言情、社会、神怪冒险和侦探小说四大类型为主。与范烟桥、钱钟书和张俊才对于林译小说的分期方法不同,本文认为应该结合林纾与出版机构的关系、林译小说口译者、林译小说的质量和数量等因素综合考虑,将林译小说分为四个时期。第二章讨论林译小说的翻译模式。先从原著、口译者两方面来分析合作翻译,勾勒林译小说口译者的生平,并总结林纾与其合作者之间的四重关系。在翻译方法上,口译笔述在带来高效的同时,也带来了匆忙和草率。而二次传递则有两人的观念渗入其中,大致说来,技术性的错误应由口译者负责,而风格和情感上的差异主要来自林纾。第三章将林译小说分解成书名、序跋、评注和译文四个部分。分别讨论书名的离题和改名,序跋体现的思想性和艺术性,评注的众声喧哗和译文的复杂多样,尤其是译文与林氏古文之间的关系。下编从微观出发考察林译小说的文化翻译,选择数量最多、影响最大的两种类型——言情小说和神怪冒险小说,将林译本与原著以及清末民初其他译者的同书异译本进行比较。第四章对读《迦茵小传》和Joan Haste以及包天笑、杨紫歂的译本《迦因小传》,进行文本比较,考察形象差异,并小结。第五章对读《金梭神女再生缘》和The World's Desire以及周氏兄弟的译本《红星佚史》,进行文本比较,考察形象差异,并小结。结语部分对林译小说做出评价。
[Abstract]:At the end of the late Qing Dynasty and the early days of the Republic of China, Lin Shu (1852-1924) had a reputation for translating a large number of western novels in ancient times, and enjoyed the reputation of "introducing the first man of Western Literature". Although Lin Shu himself was quite proud of the ancient literature, poetry, book, and painting were also long, and both novels and legends were created, but the status of literature and cultural history was first pushed. "For example, in Chinese literature Lin Shu, Lin is simply insignificant", "his value is completely translated in the novel." since the early 1898 translation, Lin Shu's series of translations have come to a steady stream, gurgling, and gradually formed a brand, and Yan Fu's "strict translation works", the world is called "Lin translation novel". Chinese modern language. The revolutionary fire and the source of romance almost originate from it. Therefore, Lin Shu's novels are of great value.
Looking back on the previous works of forest translation studies, they often have the feeling that they or generalizes Lin Shu's life, sums up Lin's translation thoughts from the preface and postscript, talks about the sensational effect of Lin's translation novels, and seldom deals with the real translation level. Or only by translating the famous books of the world as an example, analyses the cultural characteristics of Lin Shu's translation. But the real ideal is the combination of the two.
This paper takes Lin Shu's novels as the object of study, with few other parts, which are divided into two parts.
The first part deals with several issues in the overall study of Lin Shu's novels. It presents the basic features of Lin's novels from a macro perspective and discusses their translation patterns and forms.
The first chapter reviews the course of the cataloging of the translation of Lin's novel, and according to the phenomenon of the translation of the translated version, the total number of forest translations should be 193. The actual nature of the novel is not the same. Lin's translation novels are mainly composed of four types: emotion, society, adventure and detective stories. The methods of the installment of the novels are different from fan Yan Bridge, Qian Zhongshu and Zhang Juncai. This paper considers that the relationship between Lin Shu and the publishing institutions, the interpreters of the translation novels, the quality and quantity of the novels of the forest translation should be synthetically examined. In this regard, Lin's novels are divided into four periods.
The second chapter discusses the translation model of Lin's translation novel. First, it analyzes the cooperative translation from two aspects of the original and interpreters, outlines the life of the interpreter in Lin's novel, and summarizes the four relations between Lin Shu and his co author. In the translation method, the interpretation has brought about haste and haste while bringing efficiency. The two pass has two people. In general, technical mistakes should be interpreted by interpreters, and the difference between style and emotion is mainly from Lin Shu.
The third chapter divides the novel into the title, the preface and the postscript, the commentary and the translation of the four parts. It discusses the title and the renaming of the title, the ideological and artistic character of the preface and postscript, the noise of the commentary and the complexity of the translation, especially the relationship between the translation and the old language of Lin.
The second part examines the cultural translation of Lin's translation novels from the microcosmic point of view, and chooses the two types which have the greatest number and the greatest influence - the romance novels and the adventurous novels of the gods, which are compared with the original works and the other translators in the late Qing Dynasty and the early days of the Qing Dynasty.
The fourth chapter makes a textual comparison of the reading of the biography of Joan and Haste and Bao Tian Xiao, and Yang Zichuan's translation of the book.
The fifth chapter makes a textual comparison of the images of Jin Suo and the The World's Desire and Zhou brothers' translation.
The concluding part makes an evaluation of the novels of the translation of Lin's translation.

【学位授予单位】：复旦大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：I046;H059;I206.5

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