西方造型艺术高峰的哲学探究

发布时间：2018-05-22 19:48

本文选题：造型艺术 + 造型艺术高峰　；参考：《湖南师范大学》2009年博士论文

【摘要】： 西方造型艺术高峰的存在是西方艺术史中的一个客观事实,而将哲学的观念与方法引入西方造型艺术史的研究中,探究其造型艺术高峰产生的本质规律,是西方精神文化发展史研究的一个新的领域。这一研究特点表现为:首先,以大量的西方造型艺术高峰时期的资料和艺术史哲学的研究方法为依据,明确了西方造型艺术高峰的界定标准,及其以造型艺术高峰为标志的造型艺术史的分期方法,并论证了“高峰突显”是西方造型艺术史的一个清晰明白的特征。其次,在论证造型艺术五大高峰的生成及发展规律的问题时,以“社会环境因素”、“社会观念动力”、“美学规律特征”、“哲学逻辑阐释”这四个层面展开,并层层递进,最终归结为“神本”与“人本”、“神性”与“人性”的关系问题。这一结论显然与西方哲学的发展逻辑是相一致的。它表明:西方造型艺术的五大高峰的生成与发展,从社会机制的角度上来看,与同时期的社会环境和社会观念之间有着密切的关系,是社会机制引发和催生的结果;从美学规律上来看,在以理性主义为基石的西方哲学和美学的影响下,造型艺术的观念层面中形成了“唯理的”与“唯美的”两大流派,而造型艺术高峰的产生,事实上是这两大美学流派在造型艺术中所追求的“理性之美”或“感性之美”的极致性或颠覆性的结果;从哲学本质上看,造型艺术高峰作为人类思维观念的产物,本身就是人类精神文化史的重要构成部分,它以人本为核心,并贯穿于宗教意志和科学精神,它体现了“神性”与“人性”相互角逐且“此消彼长”的互动发展过程。因此,西方造型艺术高峰的生成和发展的内在规律表现为:“神性”的迷狂与消解,以及“人性”的觉醒与创造这样一个人的精神发展历程。在人类发展的不同时期,某种精神由于契合人类发展的需要或得到当时地域的、民族的以及时代的文化青睐,而成为了造型艺术高峰产生的首要原动力和“推动者”——从这一意义来看,两者中的任何一种精神在某一特定时期都有可能将造型艺术的发展推到极致。需要特别指出的是,在西方造型艺术史中,艺术高峰不断出现虽然是一种“循环”发生的现象,但也应被看成是一种不断“进步”的现象,这种进步体现为一个“人性”的意识不断觉醒和生发创造的精神历程。
[Abstract]:The existence of the peak of Western plastic art is an objective fact in the history of western art. It is a new field in the history of western spiritual and cultural development. The characteristics of this study are as follows: firstly, based on a large number of materials from the peak period of Western plastic arts and the research methods of philosophy of art history, the definition standard of the peak of Western plastic arts is defined. And the classification method of styling art history marked by the peak of plastic arts, and demonstrated that "peak prominence" is a clear and clear feature of the history of western plastic arts. Secondly, in the discussion of the formation and development law of the five peaks of plastic arts, the four levels of "social environment factor", "social concept motive force", "aesthetic law characteristics" and "philosophical logic interpretation" are developed, and they are developed step by step. Finally, it comes down to the relationship between God and humanity and between divinity and humanity. This conclusion is obviously consistent with the development logic of western philosophy. It shows that the formation and development of the five peaks of Western plastic arts are closely related to the social environment and social concept of the same period from the perspective of social mechanism, which is the result of the initiation and birth of social mechanism; From the point of view of aesthetic law, under the influence of western philosophy and aesthetics based on rationalism, two major schools of "rationalism" and "aestheticism" were formed in the conceptual level of plastic arts, and the peak of plastic arts came into being. In fact, it is the ultimate or subversive result of the "beauty of reason" or "beauty of sensibility" pursued by these two aesthetic schools in plastic arts. Itself is an important part of the history of human spirit and culture. It takes humanism as the core and runs through the religious will and scientific spirit. It embodies the interactive development process of "divinity" and "human nature" competing with each other and "rising and falling from one another" to the other. Therefore, the inherent law of the emergence and development of the peak of Western plastic arts is shown as follows: the "divinity" is lost and dispelled, as well as the awakening of "human nature" and the spiritual development of such a person. At different times of human development, a certain spirit was favored by the local, ethnic and contemporary cultures of the time, because it was in keeping with the needs of human development or by the culture of the time. In this sense, any of the two spirits may push the development of plastic arts to the extreme in a certain period. In particular, it should be pointed out that in the history of Western modelling art, although the continuous emergence of artistic peaks is a "circular" phenomenon, it should also be regarded as a "progressive" phenomenon. This progress is reflected in the spiritual process of a consciousness of human nature which is constantly awakened and created.
【学位授予单位】：湖南师范大学
【学位级别】：博士
【学位授予年份】：2009
【分类号】：J06

【引证文献】