朱光潜美学思想述评

发布时间：2018-05-23 11:27

本文选题：朱光潜 + 美学思想　；参考：《东北师范大学》2009年硕士论文

【摘要】： 近些年,学术界对朱光潜先生美学思想的研究性著作和论文颇多。本文主要对朱光潜先生的美学思想进行梳理,首先介绍了朱光潜先生的生平和美学思想的中西文化根基;然后对朱光潜的主要美学思想进行论述,分别从“美感经验”说、悲剧理论、诗歌理论、美的本质还有人性、人道主义、人情味和共同美五个方面论述,本人把朱光潜的美学思想分为三个阶段,以上五个方面是他三个阶段中比较有代表性的美学思想;最后谈谈朱光潜美学思想的历史贡献和影响。朱光潜的学术生涯是从研究心理学开始的,因此他的美学常带有心理学的痕迹;他的“美感经验”说就是个例子,他吸收了立普斯等人的“移情说”、谷鲁斯等人的“内模仿说”、布洛等人的“心理距离”说,分别说明“美感经验”产生的心理条件、过程和生理基础。朱光潜创建了中国现代史上唯一的悲剧美学思想体系,虽然有对悲剧概念把握局限的缺点,但不足以影响他对悲剧快感论述的深度与广度。朱光潜对诗歌理论的阐述主要体现在《诗论》中,这是他学术方式上的一次超越,此时的朱光潜不再停留于综合性的介绍,而是试图独立系统的整理研究,使他以一个中国近现代美学开创者的身份出现在现代学术史上。在美学大辩论中,朱光潜围绕美的本质提出“美是主客观的统一”,虽然他过去也是这么认为的,但过去与现在的理解有很大的变化,因为此时的朱光潜已经大量的研读了马列主义文论。文革后,朱光潜提出当前文艺界的最大课题就是解放思想,冲破禁区,他是最早为文学艺术表现人性作出辩护的理论家之一,他的《关于人性、人道主义、人情味和共同美问题》是一力作,他认为马克思不但没有否定过人道主义,而且把人道主义与自然主义的统一看作是真正共产主义的体现。
[Abstract]:In recent years, the academic circles to the Zhu Guangqian esthetics thought research work and the paper quite many. This paper mainly combs Mr. Zhu Guangqian's aesthetic thought, first introduces Mr. Zhu Guangqian's life and the foundation of Chinese and western culture of aesthetic thought, then discusses the main aesthetic thought of Zhu Guangqian, respectively, from the view of "aesthetic experience". Tragedy theory, poetry theory, the essence of beauty, human nature, humanitarianism, humanism and common beauty are also discussed. I divide Zhu Guangqian's aesthetic thought into three stages. The above five aspects are the representative aesthetic thoughts in his three stages, and finally, the historical contribution and influence of Zhu Guangqian's aesthetic thought. Zhu Guangqian's academic career began with the study of psychology, so his aesthetics often bears psychological traces; his theory of "aesthetic experience" is an example, and he assimilates the "empathy theory" of Lippes and others. The theory of "inner imitation" by Gulus et al., and the theory of "psychological distance" by Bulo et al., respectively explain the psychological conditions, process and physiological basis of "aesthetic experience". Zhu Guangqian created the only tragic aesthetic system in the modern history of China. Although he had the shortcoming of grasping the limitation of the concept of tragedy, it was not enough to influence the depth and breadth of his exposition on the pleasure of tragedy. Zhu Guangqian's elaboration of poetry theory is mainly reflected in Poetics, which is a transcendence in his academic way. At this time, Zhu Guangqian no longer stays in a comprehensive introduction, but attempts to organize and study independently and systematically. He appeared in the modern academic history as a pioneer of modern Chinese aesthetics. In the aesthetic debate, Zhu Guangqian proposed that "beauty is the unity of subjectivity and objectivity" around the essence of beauty. Although he thought so in the past, his understanding of the past and the present has changed greatly. Because at this time Zhu Guangqian has read a lot of Marxism-Leninist literary theory. After the Cultural Revolution, Zhu Guangqian put forward that the greatest task in the literary and art field is to emancipate the mind and break through the forbidden zone. He was one of the earliest theorists who defended the expression of human nature in literature and art. The question of humanity and Common Beauty "is a masterpiece. He believes that Marx not only did not deny humanitarianism, but also regarded the unity of humanitarianism and naturalism as the embodiment of true communism."
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I01

【引证文献】