论奥古斯丁艺术使命观

发布时间：2018-06-02 07:15

本文选题：奥古斯丁 + 美　；参考：《西南民族大学》2015年硕士论文

【摘要】：奥古斯丁一生著述成果丰硕,堪称中世纪基督教教父神学的一面旗帜。他终其一生致力于把古希腊罗马理性传统、希伯来犹太文化信仰与基督教教义融会贯通,孕育出内涵丰富、极具包容性的基督教神学、哲学体系。他自己也因此而被后人看作是拥有完整理论系统的教父哲学的开创者与集大成者。就其在西方美学史当中的影响来说,学者认为他可称得上是古希腊罗马时代最后一位美学家,同时又是欧洲中世纪美学的领路人,使美学在基督教神学下散发出耀眼的光辉。他以基督教神学信仰为根本出发点,借助其在基督教神学理论对美学、艺术、圣经文本以及蛮族争端等诸多问题进行了深入而辩证地论述。纵观整个中世纪,奥古斯丁的美学思想与艺术观点可谓是西方基督教神学美学理论体系建构的基石,留下诸多经典著作。故此,对奥古斯丁基督教神学美学思想及其艺术思想的开掘与探析,可以说是通向中世纪美学的出发点与必经之路,推开奥古斯丁丰硕思想的大门,定然会看到中世纪美学的灿烂千阳。本文试图从艺术及其使命的角度入手,借由对二者的梳理得出奥古斯丁独特的艺术使命观。通过对奥古斯丁艺术使命观的内容、成因以及独特性的分析归纳出艺术在基督教背景下所应具有的神性追求,进而从中找出潜藏的具有超越性指向的审美追求。文章主要由以下三个部分组成:第一部分是对自古希腊罗马文化以降艺术以及艺术使命相关概念的梳理,该部分的结论是奥古斯丁的艺术使命思想不单单包含我们现今认为的使命一词所拥有的义项,还将其对于基督教神学背景下所谓的人所应具有的道德准则、人生理想以及人应当存在的终极追求囊括其中;第二部分是对奥古斯丁艺术使命观的内容、成因以及独特性的分析,梳理其艺术使命观的古希腊罗马哲学及基督教背景,进而再次明确其艺术使命观广阔的思想内涵背后的神性追求及潜藏的富于超越性的人生终极意义;第三部分是将其艺术使命观中包含的神性追求向脱离神学背景的人类终极追求,亦即超越性,进行过渡,并提出奥古斯丁之所以在当代社会仍然具有相当研究价值不仅仅在于其基督教神学思想,更在于他以自己独特的艺术使命思想令人类渴望超越这一终极追求在现代人类深陷精神困境、审美泛化以及艺术终结等大背景下仍对当代艺术具有范导性意义。
[Abstract]:Augustine's work in his life was fruitful and a banner of the theology of the Christian Godfather in the Middle Ages. He devoted his whole life to the tradition of reason in ancient Greece and Rome, the Hebrew Jewish cultural belief and the Christian doctrine, which gave birth to a rich and inclusive Christian theology and philosophy system. As a result, he was regarded by later generations as the pioneer and master of the Godfather's philosophy with a complete theoretical system. As far as his influence in the history of western aesthetics is concerned, scholars think that he is the last esthetician in the ancient Greek and Roman times, and he is also the leader of medieval European aesthetics, which makes aesthetics radiate a dazzling brilliance in Christian theology. Taking Christian theology as the basic starting point, he made a deep and dialectical discussion on aesthetics, art, biblical texts and barbarian disputes with the help of Christian theology. Throughout the Middle Ages, Augustine's aesthetic thought and artistic viewpoint are the cornerstone of the construction of western Christian theological aesthetic theory system, leaving behind many classical works. Therefore, the exploration and analysis of Augustine's Christian theological aesthetic thought and his artistic thought can be said to be the starting point and the only way to the medieval aesthetics and to push aside the door of Augustine's abundant thought. It is certain to see the splendid beauty of medieval aesthetics. From the angle of art and its mission, this paper tries to draw Augustine's unique view of art mission by combing them. Through the analysis of the content, cause and uniqueness of Augustine's view of artistic mission, this paper sums up the divinity pursuit that art should have under the Christian background, and then finds out the hidden aesthetic pursuit with transcendental direction. The article is composed of the following three parts: the first part is the combing of ancient Greek and Roman culture in order to improve the art and art mission related concepts, The conclusion of this part is that Augustine's idea of artistic mission includes not only the meaning of what we now think of as the word mission, but also the moral norms that it should have for the so-called human being in the context of Christian theology. The second part is an analysis of the content, causes and uniqueness of Augustine's artistic mission view, and combs the ancient Greek and Roman philosophy and Christian background of his artistic mission view. Then it is clear again that the divinity pursuit behind the broad ideological connotation of his artistic mission and the hidden ultimate meaning of transcendental life; The third part is to make the transition from the divinity pursuit contained in his artistic mission view to the ultimate pursuit of human being, that is, transcendence, which is divorced from theological background. And it is pointed out that the reason why Augustine still has considerable research value in contemporary society lies not only in his Christian theology, but also in his Christian theology. More importantly, with his own unique artistic mission thought, he makes mankind yearn to transcend this ultimate pursuit. Under the background of modern human being's deep spiritual predicament, aesthetic generalization and artistic termination, he still has the guiding significance to contemporary art.
【学位授予单位】：西南民族大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J01

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