延安鲁艺的艺术生产机制在20世纪下半叶的沿革

发布时间：2018-06-06 02:10

本文选题：延安鲁艺 + 艺术生产　；参考：《美术》2017年07期

【摘要】：20世纪下半叶中国文艺的发展在很大程度上沿袭了延安鲁艺的艺术生产机制,它们在文艺理论学习及文艺服务导向方面一脉相承;在教学方法及艺术创作观念方面前后沿革;在师资和对民族民间艺术的学习方面也有一定的继承和相通之处。同时,为了适应新中国成立后政治文化和社会环境的变化,这一艺术生产机制在理论的民族化、艺术作品的表现内容以及艺术种类的多样性、艺术表现方法等方面,也发生了一定的变革。
[Abstract]:The development of Chinese literature and art in the second half of the 20th century, to a large extent, followed the artistic production mechanism of Yan'an Lu art, which followed the same line in the study of literature and art theory and the orientation of literature and art service, as well as the evolution of teaching methods and artistic creation concepts. In terms of teachers and the study of folk art, there are certain inheritance and similarities. At the same time, in order to adapt to the changes of political culture and social environment after the founding of New China, this mechanism of art production is characterized by the nationalization of theory, the content of artistic works, the variety of art types, and the methods of artistic expression, etc. Certain changes have also taken place.
【作者单位】：西北大学艺术学院;
【基金】：2015年度陕西省社会科学基金项目《延安鲁艺的文艺精神研究》的研究成果,立项号:2015J021
【分类号】：J120.9

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