宗白华意境论研究

发布时间：2018-06-14 09:05

本文选题：宗白华 + 意境　；参考：《山西师范大学》2010年硕士论文

【摘要】：纵观中国的美学史上,这串悠长的链子上长满了一颗颗发光的珍珠,而这其中闪闪发光的一颗就是宗白华先生,他为中国美学的发展做出了伟大的贡献,成为了中国美学研究中不能不谈的一位美学老人,他的美学内容常谈常新,不断地刷新成为了现代美学的范式。宗先生的美学著作虽然不多,论著言辞也不激烈,几乎全都在散步的闲谈中散发出来。如果这样看的话,宗白华的确不能作为著作党参的作家,也不能成为理论丰富的理论家,但他美学丰厚的意义以及给当代的启发式思维,就已经为中国的现代美学向下繁衍几代,他为中国美学的发展可谓做出了不可磨灭的贡献。翻看宗先生的美学,我们会看到他那充满中国韵味的非逻辑式的浅解中西方的哲学美学艺术的微言,会看到他那充满智慧的富有生命气息的散步哲思所折射的历史光芒。就如中国学者季羡林曾说过:“宗先生的美学思想应当重新研究,宗先生在中国美学史上的地位要重新评定”。的确,宗先生的美学充满如此大的魅力,对他美学进行深入的挖掘与思考,就具有了积极地意义。本文正是通过对其意境论的中西文化理论的分析,来梳理其意境的中国传统文化的性质,以希对宗白华意境论的传统依据做以解释,对意境论作全新的阐释。这里所做的分析可能充满了个人的独断性,也不足以揭示宗白华的意境论的丰富性,但却印下了我曾经求知的足迹。
[Abstract]:Throughout the history of Chinese aesthetics, this long chain of pearls is full of glowing pearls, one of which is Mr Zong Baihua, who has made great contributions to the development of Chinese aesthetics. He has become an old man of aesthetics who can not be ignored in the study of Chinese aesthetics. His aesthetic contents are often talked about and constantly refreshed into the paradigm of modern aesthetics. Mr. Zong's aesthetic works, though few and unvehement, are almost all circulated in stroll gossip. If you look at it this way, Zong Baihua can't really be a writer or a theorist, but he has a rich aesthetic significance and a heuristic for contemporary thinking. He has made an indelible contribution to the development of Chinese aesthetics. If we look at Mr. Zong's aesthetics, we can see his superficial, illogical interpretation of Chinese and Western philosophy and aesthetics, and the historical light reflected by his intelligent walking philosophy of life. As the Chinese scholar Ji Xianlin once said, "Mr. Zong's aesthetic thought should be restudied and his position in the history of Chinese aesthetics should be reassessed." Indeed, Mr. Zong's aesthetics is full of such great charm that it is of positive significance to dig and think deeply into his aesthetics. Through the analysis of the Chinese and Western cultural theories of his artistic conception, this paper tries to sort out the nature of his artistic conception of Chinese traditional culture, to explain the traditional basis of Zong Baihua's artistic conception theory, and to make a new interpretation of the artistic conception theory. The analysis here may be full of personal arbitrariness and not enough to reveal the richness of Zong Baihua's artistic conception theory, but it prints the footprints I once sought to know.
【学位授予单位】：山西师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：I01

【参考文献】