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从“波西米亚”到“空间分形”:空间视域中的艺术自律及美学流变

发布时间:2018-06-16 23:25

  本文选题:艺术自律 + 空间 ; 参考:《天府新论》2017年04期


【摘要】:艺术自律是伴随现代性进程而不断延展的审美文化现象,主要指涉艺术活动逐步获得自身场域伦理的过程。空间理论、空间视角和空间因素构成艺术自律的重要组成部分。从形式自律的角度而言,现代艺术完成了从古典艺术到现代艺术的"空间革命",以"视知觉空间"、"并置空间"和"幻梦空间"完成自我指涉的形式自律,而后现代艺术空间的碎片化"分形"空间促使艺术形态呈现出解构与重构的特质;从场域自律的角度而言,艺术场域空间的生成与资本空间的流动、交流和区隔息息相关,正是空间的"不平衡性"和主体感性自由的反思促成空间距离的产生,也走出了一条从"波西米亚"到公共空间的理论谱系;从美学自律的视角而言,审美现代性的美学进程则依托艺术自律,并将自主性的艺术精神转化、拓展为审美革命和审美对抗。从本雅明笔下"游逛者"的现代空间体验到福柯的后现代"另类空间"美学,都体现出空间美学的谱系流变和不断介入现实语境的努力。
[Abstract]:Art self-discipline is an aesthetic and cultural phenomenon which extends continuously with the process of modernity. It mainly refers to the process of gradually acquiring one's own field ethics in artistic activities. Spatial theory, spatial perspective and spatial factors constitute an important part of art self-discipline. From the point of view of formal self-discipline, modern art has completed the "space revolution" from classical art to modern art, with "visual perception space", "juxtaposition space" and "fantasy space" to complete the self-directed formal self-discipline. The fragmentation of post-modern art space "fractal" space promotes the artistic form to be deconstructed and reconstructed, and from the perspective of field autonomy, the formation of art field space is closely related to the flow, communication and division of capital space. It is the "imbalance" of space and the reflection of the subject's perceptual freedom that leads to the generation of space distance, and it also goes out of a theoretical pedigree from "Bohemia" to "public space", and from the perspective of aesthetic self-discipline, Aesthetic process of aesthetic modernity relies on self-discipline of art and transforms autonomous artistic spirit into aesthetic revolution and aesthetic confrontation. From the modern space experience of "wanderer" by Benjamin to Foucault's post-modern "alternative space" aesthetics, both reflect the evolution of space aesthetics pedigree and the continuous efforts to intervene in the realistic context.
【作者单位】: 河南大学文艺学研究中心;河南大学中国语言文学博士后流动站;
【基金】:国家社科基金项目“文化现代性视域中的艺术自律问题研究”(编号:10BZW002) 河南省哲学社会科学规划项目“空间转向与文学研究方法论转型”(编号:2016CWX027) 河南省教育厅人文社科研究项目“空间美学的建构与后现代美学理论新变”(编号:2016—qn—081) 中国博士后科学基金面上资助项目(编号:2016M592277);中国博士后科学基金特别资助项目(编号:2017T100527)的阶段性成果
【分类号】:J01

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