双性同体理论视野中的性别诗学

发布时间：2018-06-18 13:43

本文选题：双性同体理论 + 性别诗学　；参考：《山东师范大学》2009年硕士论文

【摘要】： 双性同体(Androgyny)是人类文明史上的古老话题,它体现了人类对两性和谐的向往以及对自身人格完善的追求。本文结合相关文本与作家创作心理个例,研究双性同体理论的内涵、传统性别诗学的立场与局限,探索在双性同体理论视野中建设性别诗学的可行性。本文共分五个部分: 导论:界定双性同体理论和性别诗学的涵义,概述相关研究现状,明确提出本文的研究角度和方法。第一部分:双性同体理论应用于诗学的可能性。这一部分分为两个层次。第一层次首先论述了双性同体理论的内涵。神话、宗教、心理学等不同领域对双性同体概念的应用体现了人们早已意识到自身具有双性的性别特质,但是社会的传统性别观——性别角色刻板印象(sex-role stereotype)却与双性同体现象形成了矛盾,它破坏了人们双性同体的表现性。第二层次论述了针对性别角色刻板印象造成的性别歧视等现实问题,学术界把双性同体理论引入诗学领域。弗吉尼亚·伍尔夫认为作家在进行文学创作时,思想中的男性力量与女性力量应该平等交流,通力合作。这引起了中西方女性主义批评家的热烈探讨,她们的学术见解丰富了双性同体理论的内涵。第二部分:双性同体理论应用于诗学的必要性。这一部分首先论述了传统性别诗学中男性诗学和女性诗学的对立立场。文章随后分别运用相关文本分析了男性诗学和女性诗学的局限性。男性诗学深受菲逻各斯中心主义的影响,容易对女性造成曲解和误读。女性诗学在纠正男性诗学的过程中,又走向了对立的极端,造成了对男性歧视的结果。深受性别角色刻板印象影响的男性诗学和女性诗学不利于两性的沟通和理解,也不利于人们寻找合理的性别身份定位,所以本文试图从双性同体理论出发去研究性别诗学,并尝试在此理论的指导下建设性别诗学。第三部分:双性同体理论视野中的性别诗学建设。这一部分从两个方面运用双性同体理论来指导建设性别诗学。第一个方面,“男女共性”认识下的诗学建设这一部分,首先揭示了父权制社会利用性别角色刻板印象把人性的各种特质分配给男女两性的政治手段。而双性同体理论就是要还原本属于两性的性格特质,承认男女两性的“共性”所在,在此基础上创作文学作品才能更真实,更具有人性的关怀。第二个方面,“男女差异性”认识下的诗学建设阐释了由于男女两性的社会性别差异造成了两性作家在文学创作上各具特色。这一部分首先论述了社会意义上的性别差异性,然后针对女性的价值观、写作技巧受排斥的现实问题,着重强调了女性作家要在尊重和欣赏女性独特的价值观、独特的感知和言说方式的基础上进行文学创作。结语:总结双性同体理论在指导性别诗学建设方面的价值和意义。它倡导在男女深入了解,和谐相处的基础上,解放真正的人性,尊重男女的个体性,并呼唤崭新的两性关系,逐渐走向性别包容性。
[Abstract]:Androgyny (Androgyny) is an ancient topic in the history of human civilization. It embodies the human desire for the harmony of the sexes and the pursuit of the perfection of his own personality. This paper studies the connotation of androgyny, the standpoint and limitations of the traditional gender poetics in the field of androgyny, and explores the theory of Androgyny in the field of androgyny. The feasibility of Constructing Gender Poetics is divided into five parts.
Introduction: defining the meaning of Androgyny theory and gender poetics, summarizing the relevant research status, and making clear the research angle and method of this article.
The first part is the possibility of the application of Androgyny to poetics. This part is divided into two levels. First, it discusses the connotation of androgyny. The application of mythology, religion, psychology and other fields to the concept of Androgyny embodies the gender characteristics that people have already realized, but the social tradition Gender concept - gender role stereotype (sex-role stereotype) has formed a contradiction with androgyny, which destroys the expressiveness of androgyny. The second level discusses the practical problems of gender discrimination caused by the stereotyped stereotype of sex roles. The theory of Androgyny has been introduced into the field of poetics by the academia. Virginia. During the literary creation, the writer believes that the male and female forces in the thought should communicate equally and cooperate with each other. This has aroused the warm discussion of the Chinese and Western feminist critics. Their academic views enrich the connotation of androgyny.
The second part: the necessity of the application of Androgyny to poetics. This part first discusses the antagonism between male poetics and female poetics in the traditional sexism. The article then analyzes the limitations of male poetics and female poetics by using relevant texts. Sex causes misinterpretation and misreading. In the process of correcting male poetics, female poetics leads to the opposite extremes, resulting in the result of discrimination against men. The male poetics and female poetics influenced by the stereotyped impression of gender roles are not conducive to the communication and understanding of the sexes, and are not conducive to the search for reasonable gender identity, so this article We try to study gender poetics from the perspective of androgyny and try to construct gender poetics under the guidance of this theory.
The third part: the construction of gender poetry in the perspective of androgyny. This part uses the androgyny theory to guide the construction of gender poetics from two aspects. The first aspect, the part of the poetic construction under the understanding of "male and female generality", first reveals the various characteristics of the human nature by the stereotyped stereotype of the patriarchal society. The theory of androgyny is to restore the character traits of the sexes and to recognize the "Commonness" of the sexes. On this basis, the creation of literary works can be more true and more humane. Second aspects, the poetic construction under the understanding of "male and female differences" explains the reason for the men and women. Gender differences in gender make the gender writers have their own characteristics in literary creation. This part first discusses the gender differences in social significance, and then, in view of women's values, and the realistic problem of rejection of writing skills, emphasizes that women writers should respect and appreciate the unique values of women, their unique perception, and their unique perception. On the basis of the way of speaking, literary creation is carried out.
Conclusion: it summarizes the value and significance of Androgyny in guiding the construction of gender poetry. It advocates the liberation of real human nature, respect for the individuality of men and women on the basis of deep understanding and harmonious coexistence between men and women, and calls for a new relationship between the sexes and gradually towards gender tolerance.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I0

【参考文献】