“于意云何”画人生

发布时间：2018-06-25 12:13

本文选题：阿尔塔米拉 + 画像砖　；参考：《美术观察》2017年07期

【摘要】：正公元前一万多年前,阿尔塔米拉洞穴墙壁上的野牛真实地反映出人类同自然和猛兽斗争的生活场景;汉代戈射收获画像砖中的生产图像则是工匠眼中的现实场景;徐渭点点泪痕般的墨葡萄是他"半生落魄已成翁"的失意人生的缩影;德累斯顿街道上熙熙攘攘的众生反映出凯什希纳笔下日新月异而又令人紧张焦虑的城市生活。艺术同生活和生命间的关系十分紧密,艺术或多或少地以自己独特的视角参与到对于生命和生活的探讨之中。如何在艺术创作中融入对自己生活和生命的思考,这一直是我创作和实践过程
[Abstract]:Just over 10,000 years ago, the bison on the wall of the cave in Arta Mila truly reflected the life scene of human beings fighting with nature and beasts, while the production images in the Han Dynasty were the realistic scenes in the artisans' eyes. Xu Wei's tearful grapevine is a microcosm of his frustrated life, and the bustling crowds on the streets of Dresden reflect Keshina's ever-changing and anxious urban life. Art is closely related to life and life. Art is more or less involved in the discussion of life and life from its own unique perspective. How to integrate my own life and life into my artistic creation has always been my creative and practical process.
【作者单位】：华南师范大学美术学院;
【分类号】：J04

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