当代我国艺术博览会的学术性建构历程与问题研究
发布时间：2018-07-26 16:04
【摘要】： “艺术博览会”对于全世界来说都是一个新兴事物,迄今为止历史还不足50年,在我国的历史更是不到20年。它是从较早成熟的综合性市场运作模式——“博览会”中逐渐细分出来,形成的一个专业性的市场形态：即一种艺术商品集中展示交流与交易的形式、一种将艺术审美与商品经济有机结合的组织活动。艺术博览会所具备的开放式、全景式市场模式使其成为目前世界上规模最大的一种艺术品展示和交易的商业活动,同时也为当代的艺术发展提供了一个社会化的舞台。 艺术博览会是一定社会经济发展所带动文化消费需求的必然产物,在市场经济语境下,其既是一种产业形态又是一种市场形态。艺术本身所具有的精神属性使其产品与业态增加了一个新的维度,这样艺术市场行为的发生就不仅仅具有经济特征,同时更为重要的是具有一种社会特征与精神影响的现实意义。也正因如此,对于学术性的建构成为艺术博览会区别于其它类别博览会的一个本质特征。本文以当代我国艺术博览会的学术性建构历程与问题为切入点,行文从以下四个角度对这一论题进行析理与研究：一、对我国艺术博览会的发生、发展进行客观、翔实的考述,并对其在我国当下市场语境中的具体形态与表现进行全面的考察与阐释；二、对其学术性建构的发展历程进行梳理并对其中所存在的现象与问题予以总结和剖析;三、从学术与市场的关系、市场主体之间的关系,艺术的市场传播等三个主要矛盾层面,对当代我国艺术博览会的价值目标进行拟设；四、针对上述分析,结合国际规范与成熟业态的发展模式,为当代我国艺术博览会学术性的建构提出现实策略。可以说,艺术博览会在经济全球化下如何面对行业竞争健康的发展,并对社会产生积极的效益与影响,既是一个艺术领域课题也是一个重要的现实课题。 如今艺术博览会已经成为我国当代艺术市场链中的重要一环,与画廊、拍卖会共同构筑起当代艺术的两级市场,在规范与完善市场机制与秩序方面发挥着无可替代的作用,同时作为一种商业本质的产业形态,其在创造可观的经济效益的同时,对艺术的社会推广与普及、艺术教育等方面也产生着巨大的社会效益。通过对我国艺术博览会的全面考察与研究,我们也理性的认识到在市场化进程中我国的艺术博览会还存在着诸多亟待解决的问题,应引起业内人士及相关部门的足够重视,在当今经济全球化日益发展的环境下,艺术市场已呈一日千里的发展趋势,对于当代文化艺术产业与市场相关领域的介入与研究无疑具有十分重要的现实意义!
[Abstract]:Art Exposition is a new thing for the whole world. It has a history of less than 50 years so far, and less than 20 years in our country. It is from the early mature comprehensive market operation mode-"Expo" gradually subdivided out, formed a professional market form: that is, an art commodity centralized display of exchange and trading form, An organic combination of artistic aesthetics and commodity economy. The opening and panoramic market model of art exposition makes it become the largest commercial activity of art display and trade in the world at present, and it also provides a socialized stage for the development of contemporary art. Art exposition is the inevitable product of cultural consumption demand driven by certain social and economic development. In the context of market economy, it is not only an industrial form but also a market form. The spiritual attribute of art itself adds a new dimension to its products and forms, so that the occurrence of art market behavior has not only economic characteristics. At the same time, more important is a social characteristics and spiritual impact of the practical significance. For this reason, the construction of academic nature has become an essential feature of art fairs which are different from other kinds of fairs. Based on the academic construction process and problems of contemporary art exposition in China, this paper analyzes and studies this topic from the following four angles: first, the occurrence and development of the art exposition in China are objectively and accurately studied. And to its specific form and performance in the current market context of our country to conduct a comprehensive investigation and interpretation; second, to comb its academic construction of the development process and to summarize and analyze the existing phenomena and problems; third, From the relationship between the academic and the market, the relationship between the main body of the market, and the market spread of art, this paper proposes the value objectives of the contemporary art exposition in China. Fourth, in view of the above analysis, Combining with the development mode of international norm and mature trade form, this paper puts forward practical strategies for the construction of academic nature of contemporary art exposition in China. It can be said that how to face the healthy development of trade competition and produce positive benefit and influence to the society under the economic globalization is not only an art field subject but also an important realistic subject. Today, the art exposition has become an important link in the market chain of contemporary art in China. Together with galleries and auctions, the art fair has built up a two-tier market for contemporary art, which plays an irreplaceable role in standardizing and perfecting the market mechanism and order. At the same time, as a commercial essence of the industrial form, it not only creates considerable economic benefits, but also has great social benefits on the social promotion and popularization of art, art education and so on. Through a comprehensive investigation and study of the art expositions in China, we also rationally realize that there are still many problems to be solved in the process of marketization, which should be paid enough attention to by people in the industry and relevant departments. Under the environment of economic globalization, the art market has a rapid development trend, which is undoubtedly of great practical significance for the intervention and research of contemporary cultural and artistic industry and market related fields.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J124
本文编号：2146536
[Abstract]:Art Exposition is a new thing for the whole world. It has a history of less than 50 years so far, and less than 20 years in our country. It is from the early mature comprehensive market operation mode-"Expo" gradually subdivided out, formed a professional market form: that is, an art commodity centralized display of exchange and trading form, An organic combination of artistic aesthetics and commodity economy. The opening and panoramic market model of art exposition makes it become the largest commercial activity of art display and trade in the world at present, and it also provides a socialized stage for the development of contemporary art. Art exposition is the inevitable product of cultural consumption demand driven by certain social and economic development. In the context of market economy, it is not only an industrial form but also a market form. The spiritual attribute of art itself adds a new dimension to its products and forms, so that the occurrence of art market behavior has not only economic characteristics. At the same time, more important is a social characteristics and spiritual impact of the practical significance. For this reason, the construction of academic nature has become an essential feature of art fairs which are different from other kinds of fairs. Based on the academic construction process and problems of contemporary art exposition in China, this paper analyzes and studies this topic from the following four angles: first, the occurrence and development of the art exposition in China are objectively and accurately studied. And to its specific form and performance in the current market context of our country to conduct a comprehensive investigation and interpretation; second, to comb its academic construction of the development process and to summarize and analyze the existing phenomena and problems; third, From the relationship between the academic and the market, the relationship between the main body of the market, and the market spread of art, this paper proposes the value objectives of the contemporary art exposition in China. Fourth, in view of the above analysis, Combining with the development mode of international norm and mature trade form, this paper puts forward practical strategies for the construction of academic nature of contemporary art exposition in China. It can be said that how to face the healthy development of trade competition and produce positive benefit and influence to the society under the economic globalization is not only an art field subject but also an important realistic subject. Today, the art exposition has become an important link in the market chain of contemporary art in China. Together with galleries and auctions, the art fair has built up a two-tier market for contemporary art, which plays an irreplaceable role in standardizing and perfecting the market mechanism and order. At the same time, as a commercial essence of the industrial form, it not only creates considerable economic benefits, but also has great social benefits on the social promotion and popularization of art, art education and so on. Through a comprehensive investigation and study of the art expositions in China, we also rationally realize that there are still many problems to be solved in the process of marketization, which should be paid enough attention to by people in the industry and relevant departments. Under the environment of economic globalization, the art market has a rapid development trend, which is undoubtedly of great practical significance for the intervention and research of contemporary cultural and artistic industry and market related fields.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2010
【分类号】：J124
【引证文献】
相关硕士学位论文 前1条
1 廖进粮;新疆当代油画艺术研究[D];新疆师范大学;2013年
，本文编号：2146536
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