中国当代女性艺术的图像策略

发布时间：2018-08-07 21:56

【摘要】：从20世纪90年代开始,中国女性艺术逐渐觉醒起来,其主要原因是受到了西方“女权启蒙”和“女性主义运动”的影响。但是,中国女性艺术植根于中国本土文化中,又具有了一定的中国当代艺术的特点。女性艺术家们将自己创作的艺术与中国的传统文化和现代文化结合起来,注重表现女性情感,以女性视野去选择和描绘艺术对象,譬如：女性身体、花卉和私密空间。女性艺术是女性艺术家表达和宣泄自由意识与个人情感的一种方式,也是具有文化前卫标志的艺术形式。中国当代女性艺术的图像策略在某种意义上来说,是中国女性“绘画”与“图像”相结合起来的创作方法与手段。与其说是“方法”,不如说是一种“策略”。中国当代女性艺术的图像策略中的“图像”不仅包含绘画,还包含着当代艺术中的摄影、影像、装置、虚拟空间和多媒体中出现的各种图像。本文通过对中国当代女性艺术图像策略的深入研究,将中国当代女性艺术家们的艺术作品进行具体分析,如：艺术品使用的媒材、运用的媒介、图像的选择、作品中艺术家获取的灵感来源以及所要表达的内心世界等。本篇文章将分为五个章节来写：1、关于中国当代女性艺术的“图像”；2、女性艺术的图像挪用;3、女性艺术的图像表现;4、个人油画创作的图像策略;5、对中国女性艺术图像策略的再思考。通过这五个章节的结构和内容,深入阐述中国当代女性艺术的图像策略,并更进一步挖掘其图像策略的现实意义。本文的重点在于：女性艺术的图像挪用和女性艺术的图像表现两个方面。分别从照片挪用、图像挪用和图式挪用以及女性隐喻、女性话语权和女性定制这些方面进行具体阐述。把从1990年以来在中国出现的种种女性艺术形态和艺术样式进行系统化地归纳,通过审视和探讨中国当代女性艺术的图像策略,思考女性艺术未来的发展方向,并对其存在的问题和困惑进行再思考。
[Abstract]:Since the 1990s, Chinese women's art has gradually awakened, the main reason is that it is influenced by the western "feminist enlightenment" and "feminist movement". However, Chinese female art is rooted in Chinese native culture and has the characteristics of Chinese contemporary art. Women artists combine their own art with Chinese traditional culture and modern culture, pay attention to the expression of female emotion, and choose and depict artistic objects with female vision, such as female body, flowers and private space. Female art is not only a way for female artists to express and express their free consciousness and personal emotion, but also an artistic form with cultural avant-garde. In a sense, the image strategy of Chinese contemporary women's art is the creative method and means of combining "painting" and "image" of Chinese women. It is more a strategy than a method. The "image" in the image strategy of Chinese contemporary female art includes not only painting, but also photography, image, installation, virtual space and various images in multimedia. In this paper, through the in-depth study of the image strategy of Chinese contemporary female art, the author makes a concrete analysis of the works of art of contemporary Chinese female artists, such as the medium used for art, the medium used, and the choice of images. The source of inspiration and the inner world to be expressed by the artist in his works. This article will be divided into five chapters to write about the Chinese contemporary female art "image"; 2. The image misappropriation of female art, the image expression of female art, the image strategy of personal oil painting, and the rethinking of the image strategy of Chinese female art. Through the structure and content of the five chapters, this paper expounds the image strategy of Chinese contemporary female art, and further excavates the realistic significance of the image strategy. This paper focuses on two aspects: image misappropriation of female art and image representation of female art. This paper elaborates on the misappropriation of photographs, the misappropriation of images and schemata, the female metaphor, the power of female discourse and the customization of women. This paper systematically sums up the various forms and styles of female art that have appeared in China since 1990, through examining and discussing the image strategy of Chinese contemporary female art, thinking about the future development direction of female art. And to its existence question and the confusion carries on the reconsideration.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J05

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