文本的狂欢和禁忌——后现代主义文化语境中的“剽窃”
发布时间：2018-08-28 10:56
【摘要】：后现代主义习惯于文本拼贴和文化元素的复制,并将此视为观念狂欢的创举。但在现实的社会语境中,后现代主义的文化任性并不意味着"剽窃"的说法销声匿迹。后现代主义文学"剽窃"加身使人正视后现代主义文本狂欢的限度。此外,后现代主义艺术界的复制风潮比起文学界来有过之而无不及,但人们似乎并不从这些妄为的复制中追究"版权"的归属。在复制、原创和剽窃的问题上,不同的后现代主义文化场域给出了不同答案。后现代主义文论界未能弥合文学内部空间和外在运作机制之间的差异,但艺术界却很好填平了艺术品内外部的逻辑鸿沟。
[Abstract]:Post-modernism is used to text collage and reproduction of cultural elements, which is regarded as the creation of idea carnival. But in the realistic social context, postmodernism's cultural willfulness does not mean that "plagiarism" has disappeared. Plagiarism in postmodernist literature makes people face the limits of revelry in postmodernist texts. In addition, the post-modernist art world has more copying than the literary world, but it seems that people do not seek copyright ownership from these perverse replicas. Different postmodernist cultural fields give different answers to the questions of reproduction, originality and plagiarism. The postmodernist literary theory fails to bridge the difference between the internal space and the external operating mechanism of literature, but the art circle has filled up the logical gap between the internal and external works of art.
【作者单位】： 福建师范大学文学院;
【分类号】：I0
，
本文编号：2209189
[Abstract]:Post-modernism is used to text collage and reproduction of cultural elements, which is regarded as the creation of idea carnival. But in the realistic social context, postmodernism's cultural willfulness does not mean that "plagiarism" has disappeared. Plagiarism in postmodernist literature makes people face the limits of revelry in postmodernist texts. In addition, the post-modernist art world has more copying than the literary world, but it seems that people do not seek copyright ownership from these perverse replicas. Different postmodernist cultural fields give different answers to the questions of reproduction, originality and plagiarism. The postmodernist literary theory fails to bridge the difference between the internal space and the external operating mechanism of literature, but the art circle has filled up the logical gap between the internal and external works of art.
【作者单位】： 福建师范大学文学院;
【分类号】：I0
，
本文编号：2209189
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