论虚拟艺术的审美特征
发布时间：2018-08-28 12:54
【摘要】： 虚拟艺术是数字媒介技术与艺术相整合所产生的全新的艺术形态与表征。这种全新的表征方式颠覆了传统的表征方式,出现了表征危机。在虚拟世界,传统的真实并不存在,事物本身并不存在,这些事物有其形而无其实,一切都在自己的表象后面隐退。虚拟粉碎了现实性的真假界限,产生了真的假和假的真。 由于多媒介的运用,虚拟艺术的创作方式和表现形态等都发生了变化。人们的审美意识也随之嬗变。虚拟艺术的审美是“类像”的符号审美。这种审美方式改变了主体与世界之间原有的审美关系。不仅艺术与现实间的真实失去可体认性,主体与现实之间的审美关系也被阻隔,主客体合而为一。 虚拟艺术较之传统艺术,无论是其媒介、文本的生存方式,还是作者和读者的关系都发生了前所未有的变化。这种变化使虚拟艺术拥有其独特的审美特征。虚拟艺术能让人产生一种全身心沉浸的审美体验,人们完全融入虚拟的真实之中,以至于忘却了现实的真实。在虚拟世界,由于虚拟的出场,人们可以足不出户,便可知觉到相隔万里之遥的对象。通过远程显现,人们可以得到事物的真实存在的感觉。虚拟艺术是关于交流的艺术,它终止了传统艺术的时间美学,开辟了在线空间的活性诗学。 虚拟艺术的在场是一种虚拟在场。在虚拟世界,主体被弱化,主体与他人的共存只是一种符号性的存在。虚拟主体的每一次相遇都是对符号的遭遇。由于这种虚拟缺场,虚拟社区的道德主体也没有一个明确的界定。为追求审美的快感,人们的欲望不断膨胀,导致虚拟艺术伦理道德出现危机。在我们津津乐道虚拟艺术带给我的快感时,我们不能不对人文关怀失位、伦理问题进行深入的反思。
[Abstract]:Virtual art is a new artistic form and representation produced by the integration of digital media technology and art. This new way of representation subverts the traditional way of representation and presents a crisis of representation. In the virtual world, the traditional reality does not exist, and the things themselves do not exist. Virtual shattered the reality of the true and false boundaries, to produce true false and false truth. As a result of the use of multi-media, the creation mode and expression form of virtual art have changed. People's aesthetic consciousness also changes with it. The aesthetic of virtual art is the symbol aesthetic of "class image". This aesthetic way changed the original aesthetic relationship between the subject and the world. Not only the reality between art and reality loses recognizability, but also the aesthetic relationship between subject and reality is blocked. Compared with traditional art, virtual art has undergone unprecedented changes in media, text survival style, and the relationship between the author and the reader. This kind of change causes the virtual art to have its unique esthetic characteristic. Virtual art can produce a kind of aesthetic experience that immerses one's whole body and mind, and people completely melt into virtual reality, even forget the reality of reality. In the virtual world, because of the virtual appearance, people can feel the object thousands of miles away from home. Through remote manifestation, one can get a sense of the true existence of things. Virtual art is the art of communication, which ends the time aesthetics of traditional art and opens up the active poetics of online space. The presence of virtual art is a virtual presence. In the virtual world, the subject is weakened, and the coexistence of the subject and others is only a symbolic existence. Each encounter of the virtual subject is the encounter of the symbol. Because of this virtual lack, the moral subject of virtual community is not clearly defined. In order to pursue aesthetic pleasure, people's desire expands constantly, which leads to the crisis of virtual art ethics. When we talk about the pleasure that virtual art brings to me, we have to reflect deeply on the loss of humanistic concern and ethical issues.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J01
本文编号：2209456
[Abstract]:Virtual art is a new artistic form and representation produced by the integration of digital media technology and art. This new way of representation subverts the traditional way of representation and presents a crisis of representation. In the virtual world, the traditional reality does not exist, and the things themselves do not exist. Virtual shattered the reality of the true and false boundaries, to produce true false and false truth. As a result of the use of multi-media, the creation mode and expression form of virtual art have changed. People's aesthetic consciousness also changes with it. The aesthetic of virtual art is the symbol aesthetic of "class image". This aesthetic way changed the original aesthetic relationship between the subject and the world. Not only the reality between art and reality loses recognizability, but also the aesthetic relationship between subject and reality is blocked. Compared with traditional art, virtual art has undergone unprecedented changes in media, text survival style, and the relationship between the author and the reader. This kind of change causes the virtual art to have its unique esthetic characteristic. Virtual art can produce a kind of aesthetic experience that immerses one's whole body and mind, and people completely melt into virtual reality, even forget the reality of reality. In the virtual world, because of the virtual appearance, people can feel the object thousands of miles away from home. Through remote manifestation, one can get a sense of the true existence of things. Virtual art is the art of communication, which ends the time aesthetics of traditional art and opens up the active poetics of online space. The presence of virtual art is a virtual presence. In the virtual world, the subject is weakened, and the coexistence of the subject and others is only a symbolic existence. Each encounter of the virtual subject is the encounter of the symbol. Because of this virtual lack, the moral subject of virtual community is not clearly defined. In order to pursue aesthetic pleasure, people's desire expands constantly, which leads to the crisis of virtual art ethics. When we talk about the pleasure that virtual art brings to me, we have to reflect deeply on the loss of humanistic concern and ethical issues.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J01
【参考文献】
相关期刊论文 前2条
1 杨春时;文学理论:从主体性到主体间性[J];厦门大学学报(哲学社会科学版);2002年01期
2 陈志良;虚拟:人类中介系统的革命[J];中国人民大学学报;2000年04期
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