基于音乐变奏思维的视觉媒体设计研究
发布时间：2018-09-10 10:27
【摘要】：20世纪初,随着计算机数字技术的崛起,文化传播形式由印刷文化时期进入电子文化时期。包括剧场艺术在内的诸多艺术门类也随之受到了巨大的影响,被数字技术强有力的"符号暴力"摧毁了传统的边界,迎来各种异质因素成长的契机,为观演方式和创作理念提供了新的话语形式。德国戏剧理论家汉斯·蒂斯·雷曼将这种话语形式跨越的时间维度统称为"后戏剧剧场时期"。在这一时期,由于数字技术与剧场艺术的深度融合以及随着西方后现代文化思潮的快速崛起剧场艺术发生的本质性变化——"观看"行为重新成为了剧场的核心内容,令视觉媒体脱颖而出,辐射至剧场中音乐、文本、身体等等杂陈的元素,形成的抽象缥缈却又统一的力。但是如何切实而有逻辑的分析视觉媒体则是一件十分晦涩的事情,笔者起意从发展音乐的基本手法——变奏落脚,以其结构技法映射后戏剧剧场语境下为数字技术相关照的剧场艺术中的视觉媒体设计,为相关作品的创作梳理一条思路。
[Abstract]:At the beginning of 20 ~ (th) century, with the rise of computer digital technology, the form of cultural communication changed from the period of printing culture to the period of electronic culture. Many kinds of art, including theatrical art, have been greatly influenced. The powerful "symbolic violence" of digital technology has destroyed the traditional boundaries and ushered in opportunities for the growth of various heterogeneous factors. It provides a new form of discourse for viewing and creating ideas. German drama theorist Hans Testin called the time dimension of this discourse form "post-theatrical period". In this period, due to the deep integration of digital technology and theater art and the rapid rise of post-modern western cultural trends, the "watching" behavior has become the core content of the theater again. Visual media stand out, radiating into the theater music, text, body, and other elements of the complex, the formation of abstract ethereal but unified force. However, how to analyze visual media in a practical and logical way is a very obscure matter. The author intends to settle down from the basic technique of developing music-variation. The visual media design of the theatrical art related to digital technology is designed in the context of theatrical theater after its structural technique mapping and combing a train of thought for the creation of related works.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J05
本文编号：2234181
[Abstract]:At the beginning of 20 ~ (th) century, with the rise of computer digital technology, the form of cultural communication changed from the period of printing culture to the period of electronic culture. Many kinds of art, including theatrical art, have been greatly influenced. The powerful "symbolic violence" of digital technology has destroyed the traditional boundaries and ushered in opportunities for the growth of various heterogeneous factors. It provides a new form of discourse for viewing and creating ideas. German drama theorist Hans Testin called the time dimension of this discourse form "post-theatrical period". In this period, due to the deep integration of digital technology and theater art and the rapid rise of post-modern western cultural trends, the "watching" behavior has become the core content of the theater again. Visual media stand out, radiating into the theater music, text, body, and other elements of the complex, the formation of abstract ethereal but unified force. However, how to analyze visual media in a practical and logical way is a very obscure matter. The author intends to settle down from the basic technique of developing music-variation. The visual media design of the theatrical art related to digital technology is designed in the context of theatrical theater after its structural technique mapping and combing a train of thought for the creation of related works.
【学位授予单位】：上海音乐学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J05
【参考文献】
相关博士学位论文 前2条
1 兰友利;绘画的时间性[D];中国美术学院;2013年
2 顾之勉;微变奏—简约主义作曲技术之纲[D];上海音乐学院;2008年
，本文编号：2234181
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