程颢自然审美体验的生成及意义

发布时间：2018-10-13 11:21

【摘要】：生态美学要解决的核心问题就是生态审美体验是否存在。程颢"浑然与物同体"、"观万物皆有春意"的审美体验是一种类似于生态审美体验的自然审美体验,其相似之处在于两种体验共同指向人与自然和谐共存而带来的精神愉悦,其差别在于程颢自然审美体验缺少现代意义上的"生态"一维。由此,考察程颢的自然审美体验至少可以为我们理解生态审美体验提供参考。而通过对程颢思想的梳理,我们发现,"天理"世界观和"仁者"伦理观是程颢自然审美体验产生的观念基础。这就启示我们,生态审美体验的产生也应当建立在一套自觉的生态观念基础之上。值得强调的是,审美体验是当下的体验而非分析的结果,但这并不意味着审美体验就是生物本能的反应。生态审美体验立足于对人与自然关系的深刻理解之上,从这个意义上来讲,生态审美体验也是一种人生境界的体现。
[Abstract]:The core problem of ecological aesthetics is the existence of ecological aesthetic experience. Cheng Hao's aesthetic experience of "everything and everything has spring meaning" is a kind of natural aesthetic experience similar to ecological aesthetic experience. The similarity of the two experiences is that the two experiences point to the spiritual pleasure brought by the harmonious coexistence of human beings and nature. The difference is that Cheng Hao's natural aesthetic experience lacks one dimension of ecology in modern sense. Therefore, the investigation of Cheng Hao's natural aesthetic experience can at least provide a reference for us to understand the ecological aesthetic experience. By combing Cheng Hao's thoughts, we find that the world outlook of "Heaven" and the ethics of "benevolence" are the conceptual basis of Cheng Hao's natural aesthetic experience. This enlightens us that the emergence of ecological aesthetic experience should also be based on a set of conscious ecological concepts. It is worth emphasizing that aesthetic experience is the result of current experience rather than analysis, but this does not mean that aesthetic experience is the reaction of biological instinct. Ecological aesthetic experience is based on a deep understanding of the relationship between man and nature. In this sense, ecological aesthetic experience is also a kind of life realm.
【作者单位】：山东大学文艺美学研究中心;
【基金】：国家社会科学基金重大招标项目“生态美学文献整理与研究”(16ZDA111)阶段性成果
【分类号】：I01

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