论宗白华的艺术境界观
发布时间：2018-10-15 16:24
【摘要】：宗白华是现代著名的美学大师,关于他的研究论著已经相当丰富,尤其是他的意境理论,已经达到一定的高度和深度。但他关于艺术境界的思考,却很少有人关注,这是因为宗白华的文章中常常出现两者混用的情况,而大多数的学者在阐述时往往将艺术境界等同于意境。这在某种程度上造成了对艺术境界内涵的遮蔽,也不利于我们进一步深入了解宗白华的美学思想。所以本文通过对文本的细读,试图对艺术境界的内涵予以梳理和概括,并分析阐释其独特价值。文章的基本内容与思路如下:导论部分首先指出了宗白华文章中常出现境界与意境混用的现象;然后梳理了宗白华艺术境界观的研究现状,并对论文选题的意义和价值进行了分析;最后指出了本文的侧重点与创新点。第一章:首先对境界的概念进行了梳理,在此基础上对宗白华艺术境界的内涵进行了概括。指出在宗白华看来,艺术境界是艺术家以整个的心灵为背景,从情感的体验出发,通过一定的艺术形式,凝铸于特定意象中的对于生命、人生、宇宙真理与价值的体悟和深思。它具有主体论、创作论和价值论三个层面的内涵。第二章:分析论述了宗白华关于艺术境界的具体见解,主要从艺术境界的构成、呈现和追求三个方面对其境界观进行阐发。第一节,“艺术境界的构成”,从创作主体的角度论述艺术境界的构成因素。宗白华认为艺术境界的创造需要艺术家有一颗赤子之心,同时也要有旷达的胸襟和非凡的直觉体悟能力。第二节,“艺术境界的呈现”,从艺术创作的角度指出艺术手法对于艺术境界创造的重要性。宗白华对虚实相生、观照法、空间组织法等都有独到的见解。第三,“艺术境界的追求”,从价值论的角度指出艺术创造应当追求境界。宗白华认为艺术创作有写实、传神、妙悟三重境界;禅境是中国艺术的理想境界,也是最高境界。第三章:分析了宗白华艺术境界观的思想渊源。第一节,“中国传统文化的影响”,分别从《周易》的“生生之德”和“无往不复”、老庄的“道”和“虚”以及禅宗的“妙悟”三个方面来阐述传统文化对宗白华的影响。第二节,“西方人文意识的浸润”,分别从叔本华的同情说以及柏格森的生命创化论两个方面来论述对宗白华的影响。第四章:是对宗白华艺术境界观的评价。第一节,“宗白华艺术境界观的意义”,分别从艺术主体、创作与批评等方面来肯定其价值。第二节,“宗白华艺术境界观的启示”,从现实角度指出艺术创作需要艺术家既要涵养心灵与人格,同时也要提升艺术素质。结语:在充分肯定宗白华艺术境界观价值的同时,也指出其具有一定的局限性,有一定的乌托邦色彩。
[Abstract]:Zong Baihua is a famous aesthetic master in modern times. His research works have been quite abundant, especially his artistic conception theory, which has reached a certain height and depth. However, few people pay attention to his thinking about the artistic realm, which is because Zong Baihua's articles often mix the two, and most scholars often equate artistic realm with artistic conception. To a certain extent, this has resulted in the obscuring of artistic realm connotation, and is not conducive to our further understanding of Zong Baihua's aesthetic thought. So this paper tries to sort out and generalize the connotation of artistic realm by reading the text carefully, and analyze and explain its unique value. The basic contents and ideas of the article are as follows: in the introduction part, the author first points out the phenomenon of the mixed use of realm and artistic conception in Zong Baihua's article, and then combs the current research situation of the artistic realm view of Zong Baihua. The significance and value of this paper are analyzed, and the emphasis and innovation of this paper are pointed out. Chapter one: firstly, the concept of realm is combed, and then the connotation of Zong Baihua's artistic realm is summarized. According to Zong Baihua, the artistic realm is the understanding and reflection of the life, truth and value of the universe, which is based on the whole mind, from the experience of emotion and through a certain artistic form. It has the connotation of subject theory, creation theory and value theory. In the second chapter, the author analyzes Zong Baihua's views on artistic realm, mainly from three aspects: the constitution, presentation and pursuit of artistic realm. The first section, "the composition of artistic realm", discusses the composing factors of artistic realm from the angle of creation subject. Zong Baihua believes that the creation of artistic realm requires the artist to have a naked heart, but also to have a broad-minded mind and an extraordinary ability to intuitively realize. The second section, "the presentation of artistic realm", points out the importance of artistic technique to artistic realm creation from the angle of artistic creation. Zong Baihua has unique views on the existence of void and reality, the law of observation and the law of the organization of space. Third, the pursuit of artistic realm, from the point of view of value, art creation should pursue realm. Zong Baihua believes that artistic creation has realistic, vivid, and wonderful understanding of the triple realm; Zen is the ideal state of Chinese art, but also the highest state. The third chapter analyzes the ideological origin of Zong Baihua's view of artistic realm. The first section, "the influence of Chinese traditional culture", expounds the influence of traditional culture on Zong Baihua from three aspects respectively: "morality of living" and "never going back" in the Book of changes, "Tao" and "deficiency" of Laozhuang and "Miao Wu" of Zen Buddhism. The second section, the infiltration of western humanistic consciousness, discusses the influence on Zong Baihua from Schopenhauer's theory of sympathy and Bergson's theory of life creation. Chapter four: the evaluation of Zong Baihua's artistic realm. The first section, "the significance of Zong Baihua's artistic realm", affirms its value from the aspects of art subject, creation and criticism. The second section, "the enlightenment of Zong Baihua's view of artistic realm", points out that the artistic creation needs the artists not only to cultivate their soul and personality, but also to improve their artistic quality. Conclusion: while fully affirming the value of Zong Baihua's artistic realm, it also points out its limitations and utopia.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J01
本文编号：2273099
[Abstract]:Zong Baihua is a famous aesthetic master in modern times. His research works have been quite abundant, especially his artistic conception theory, which has reached a certain height and depth. However, few people pay attention to his thinking about the artistic realm, which is because Zong Baihua's articles often mix the two, and most scholars often equate artistic realm with artistic conception. To a certain extent, this has resulted in the obscuring of artistic realm connotation, and is not conducive to our further understanding of Zong Baihua's aesthetic thought. So this paper tries to sort out and generalize the connotation of artistic realm by reading the text carefully, and analyze and explain its unique value. The basic contents and ideas of the article are as follows: in the introduction part, the author first points out the phenomenon of the mixed use of realm and artistic conception in Zong Baihua's article, and then combs the current research situation of the artistic realm view of Zong Baihua. The significance and value of this paper are analyzed, and the emphasis and innovation of this paper are pointed out. Chapter one: firstly, the concept of realm is combed, and then the connotation of Zong Baihua's artistic realm is summarized. According to Zong Baihua, the artistic realm is the understanding and reflection of the life, truth and value of the universe, which is based on the whole mind, from the experience of emotion and through a certain artistic form. It has the connotation of subject theory, creation theory and value theory. In the second chapter, the author analyzes Zong Baihua's views on artistic realm, mainly from three aspects: the constitution, presentation and pursuit of artistic realm. The first section, "the composition of artistic realm", discusses the composing factors of artistic realm from the angle of creation subject. Zong Baihua believes that the creation of artistic realm requires the artist to have a naked heart, but also to have a broad-minded mind and an extraordinary ability to intuitively realize. The second section, "the presentation of artistic realm", points out the importance of artistic technique to artistic realm creation from the angle of artistic creation. Zong Baihua has unique views on the existence of void and reality, the law of observation and the law of the organization of space. Third, the pursuit of artistic realm, from the point of view of value, art creation should pursue realm. Zong Baihua believes that artistic creation has realistic, vivid, and wonderful understanding of the triple realm; Zen is the ideal state of Chinese art, but also the highest state. The third chapter analyzes the ideological origin of Zong Baihua's view of artistic realm. The first section, "the influence of Chinese traditional culture", expounds the influence of traditional culture on Zong Baihua from three aspects respectively: "morality of living" and "never going back" in the Book of changes, "Tao" and "deficiency" of Laozhuang and "Miao Wu" of Zen Buddhism. The second section, the infiltration of western humanistic consciousness, discusses the influence on Zong Baihua from Schopenhauer's theory of sympathy and Bergson's theory of life creation. Chapter four: the evaluation of Zong Baihua's artistic realm. The first section, "the significance of Zong Baihua's artistic realm", affirms its value from the aspects of art subject, creation and criticism. The second section, "the enlightenment of Zong Baihua's view of artistic realm", points out that the artistic creation needs the artists not only to cultivate their soul and personality, but also to improve their artistic quality. Conclusion: while fully affirming the value of Zong Baihua's artistic realm, it also points out its limitations and utopia.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J01
【参考文献】
相关期刊论文 前10条
1 邵振国;;试论境界说及其质性[J];当代文坛;2015年01期
2 顾春花;;宗白华关于文艺形式的研究[J];上饶师范学院学报;2014年05期
3 张泽鸿;;“德国经验”与“中国问题”——宗白华与现代中国艺术学演进之考察[J];社会科学战线;2013年12期
4 李春青;;略论“意境说”的理论归属问题——兼谈中国文论话语建构的可能路径[J];文学评论;2013年05期
5 金雅;;“人生艺术化”:学术路径与理论启思[J];中山大学学报(社会科学版);2013年02期
6 胡家祥;;宗白华所讲的“艺境”辨识[J];江淮论坛;2009年03期
7 毛宣国;;宗白华的美学:为人生的美学[J];美与时代(下半月);2009年05期
8 田智祥;;人格境界的追求:宗白华意境理论的核心[J];名作欣赏;2009年10期
9 张泽鸿;吴家荣;;论宗白华的妙悟美学体系[J];美与时代;2007年07期
10 欧阳文风;周秋良;;感悟诗学现代转型之可能性及其意义——以王国维、宗白华的诗学探索为例[J];文学评论;2007年01期
相关博士学位论文 前2条
1 田智祥;宗白华的精神人格与美学之路[D];山东师范大学;2009年
2 王进进;宗白华美学思想述评[D];浙江大学;2005年
相关硕士学位论文 前8条
1 郝赫;宗白华艺术形式美学思想研究[D];浙江理工大学;2015年
2 贺肖鹏;宗白华中国画理论研究[D];河北大学;2014年
3 孙雪峰;天人合一：宗白华美学的诗意追求[D];牡丹江师范学院;2014年
4 韩君君;宗白华美学中的“生命观”研究[D];山西师范大学;2013年
5 智小平;宗白华美学思想的生命观[D];内蒙古大学;2010年
6 张美萍;宗白华“空灵”美学思想论[D];中南大学;2009年
7 马慧娜;宗白华美学的人格理想[D];陕西师范大学;2007年
8 张爱武;宗白华生命美学研究[D];河北师范大学;2002年
，本文编号：2273099
本文链接：https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2273099.html
