录像艺术五十年
发布时间：2018-10-17 09:04
【摘要】：正1965年,索尼便携式摄像机问世,为私人录像的拍摄敞开大门,打破了广播电视一统天下的局面。正如艺术史学者迈克尔·拉什在其著作《录像艺术》中所述,这意味着人们"不再受制于好莱坞权力掮客与主流电视制作人,那些有识之士能够投身视觉通讯革命,这场革命正迅速改变全球的社会和文化生活"。
[Abstract]:In 1965, Sony camcorder opened the door to private video filming, breaking the dominance of radio and television. As art historian Michael Rush puts it in his book Video Art, this means that people "are no longer enslaved by Hollywood power brokers and mainstream television producers, and those with insight are able to engage in the visual communications revolution." This revolution is rapidly changing the social and cultural life of the world. "
【作者单位】： 中央美术学院美术馆;
【分类号】：J5
本文编号：2276172
[Abstract]:In 1965, Sony camcorder opened the door to private video filming, breaking the dominance of radio and television. As art historian Michael Rush puts it in his book Video Art, this means that people "are no longer enslaved by Hollywood power brokers and mainstream television producers, and those with insight are able to engage in the visual communications revolution." This revolution is rapidly changing the social and cultural life of the world. "
【作者单位】： 中央美术学院美术馆;
【分类号】：J5
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