外部与越界:论布朗肖的文学灵感观
发布时间：2018-10-21 15:58
【摘要】：法国作家、批评家莫里斯·布朗肖的文学思考主要围绕"文学的可能性"这一问题。本文主要通过分析《文学空间》等文本中的相关阐释,论述了布朗肖关于"文学灵感"的独特概念。灵感问题在已有研究中被忽视了,但它对于理解和评价布朗肖的文学思想却是关键的。本文通过辨析与此问题相关的灵感、本源、主体、外部、界限和越界等关键词,指出了对于布朗肖的灵感概念的讨论其实很好地呈现了一个当代文论的核心议题,即作者在文本中的缺席。更为关键的是,布朗肖的文学灵感观的复杂之处,在于他既不同于古希腊也不同于浪漫主义,提醒着我们在追寻灵感的写作中那种自我与他者、内部与外部以及主动与被动的双重性。
[Abstract]:The literary thinking of French writer and critic Maurice Brownshaw revolves around the possibility of literature. This paper discusses Brownshaw's unique concept of literary inspiration by analyzing the relevant explanations in Literary Space and other texts. The question of inspiration has been neglected in previous studies, but it is crucial to understand and evaluate Brownshaw's literary thought. By analyzing the key words of inspiration, origin, subject, exterior, boundary and crossing the boundary, this paper points out that the discussion of Brownshaw's concept of inspiration has well presented a core topic of contemporary literary theory. The absence of the author in the text. Crucially, Brownshaw's view of literary inspiration is complex in that he is different from both ancient Greece and romanticism, reminding us of the self and the other in the writing that seeks inspiration. Internal and external as well as active and passive duality.
【作者单位】： 浙江大学传媒与国际文化学院;美国波士顿大学;
【分类号】：I0-05
，
本文编号：2285612
[Abstract]:The literary thinking of French writer and critic Maurice Brownshaw revolves around the possibility of literature. This paper discusses Brownshaw's unique concept of literary inspiration by analyzing the relevant explanations in Literary Space and other texts. The question of inspiration has been neglected in previous studies, but it is crucial to understand and evaluate Brownshaw's literary thought. By analyzing the key words of inspiration, origin, subject, exterior, boundary and crossing the boundary, this paper points out that the discussion of Brownshaw's concept of inspiration has well presented a core topic of contemporary literary theory. The absence of the author in the text. Crucially, Brownshaw's view of literary inspiration is complex in that he is different from both ancient Greece and romanticism, reminding us of the self and the other in the writing that seeks inspiration. Internal and external as well as active and passive duality.
【作者单位】： 浙江大学传媒与国际文化学院;美国波士顿大学;
【分类号】：I0-05
，
本文编号：2285612
本文链接：https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2285612.html
