唐君毅中国艺术精神观研究

发布时间：2018-10-31 12:40

【摘要】：唐君毅作为现代新儒家的重镇之一,他的哲学思想向来是学者们探讨的重点,他关于中国艺术精神的阐释亦不容忽视。在西学东渐的历史语境下,面对民族文化危机,唐君毅从中西文化特征对比入手,挖掘中国传统文化的价值。中国艺术作为中国文化的一个重要维度,自然也是唐君毅所关注的重点。论文分析唐君毅中国艺术精神观产生的国内外背景、思想基础及其“虚实相涵”、“游”的特征,探析唐君毅中国艺术精神与文学精神的关系,并且将之与徐复观对中国艺术精神的分析进行对比,对唐君毅的中国艺术精神观进行一个较为全面的论述,进而发掘其背后的文化意蕴。唐君毅对中国艺术精神的挖掘,不仅为解决当时的文化危机指明了中西文化相互借鉴的新方向,也为中国传统文化的现代性转换提供了新思路,这对当今中国文化乃至世界文化的融合与发展具有指导性意义。本文除绪论外共分四部分。论文第一章对唐君毅的生平和著作进行概述,重点对唐君毅的中国艺术精神观的国内外背景进行说明。从国外方面来看,西方文化浪潮对中国文化的冲击,造成中国文化危机;从国内方面来看,人们对传统文化失去信心,纷纷倒戈。唐君毅提出返本开新的主张,阐扬中国传统历史文化的精神价值,提出当时文化危机的应对之策。第二章分主要从唐君毅对中西文化特征的对比入手,探析中西对比张力下他对中国艺术精神的阐释,突出中国艺术精神的独特之处,进而肯定中国文化精神的价值。唐君毅的心性观、感通观以及关于艺术中时空观的理解,都为他分析中国艺术精神奠定了思想基础。他认为中国艺术精神显现出了“虚实相涵”、“游”的特征,且这些特征在中国文学中也有体现,故他进一步分析了中国艺术精神和中国文学精神的相通之处。第三章将唐君毅的中国艺术精神与徐复观的中国艺术精神进行对比,从对中西文化的引用、对道德和艺术关系论证以及对儒道两家艺术精神阐述的不同这三个方面入手,从而凸显唐君毅中西对比视角下的中国艺术精神的独特之处。唐君毅对中国艺术精神的阐释是从宏观处着眼,以比较中西文化特别是艺术方面的不同为前提的;他把握到传统文化中的“心”和“性情”,并以此为理论出发点,去发掘中国艺术精神中道德和艺术的关系;在当时社会各界人士反对甚至批判儒家文化的背景下,唐君毅重新阐释儒家艺术精神,并给予其很高的评价,以期提高儒家文化的地位。第四章对唐君毅中国艺术精神进行反思。他提出以平等的眼光看待中西文化,在发扬传统文化精神的基础上,吸纳西方文化的精华,为当时的民族文化危机提供解决之法,为传统文化的现代性转换提供思路。这在文化交流、碰撞的今天仍发挥着重要作用。但其思想也存在忽视审美纯粹性和主观唯心主义的缺憾。
[Abstract]:Tang Junyi, as one of the important places of modern Neo-Confucianism, his philosophical thought has always been the focus of the scholars, and his interpretation of the spirit of Chinese art should not be ignored. Facing the crisis of national culture, Tang Junyi began to explore the value of Chinese traditional culture from the comparison of Chinese and Western cultural characteristics in the historical context of western learning to the east. As an important dimension of Chinese culture, Chinese art is also the focus of Tang Junyi's attention. This paper analyzes the background of Tang Junyi's concept of Chinese artistic spirit at home and abroad, the ideological basis and the characteristics of "the void and the reality" and the "tour", and probes into the relationship between Tang Junyi's Chinese artistic spirit and the literary spirit. Compared with Xu Fuguan's analysis of Chinese artistic spirit, Tang Junyi's view of Chinese artistic spirit is discussed comprehensively and the cultural implication behind it is explored. Tang Junyi's excavation of the spirit of Chinese art not only pointed out a new direction for the Chinese and Western cultures to learn from each other, but also provided a new way of thinking for the modern transformation of Chinese traditional culture. This is of guiding significance to the integration and development of Chinese culture and even world culture. In addition to the introduction, this paper is divided into four parts. The first chapter gives an overview of Tang Junyi's life and works, focusing on the domestic and foreign background of Tang Junyi's view of Chinese artistic spirit. From the foreign point of view, the impact of the western culture on Chinese culture has caused a crisis of Chinese culture; from the domestic point of view, people have lost confidence in the traditional culture and defected one after another. Tang Junyi put forward the new idea of returning to the original, expounding the spiritual value of Chinese traditional history and culture, and putting forward the countermeasures of the cultural crisis at that time. The second chapter mainly starts with Tang Junyi's comparison of Chinese and Western cultural characteristics, analyzes his interpretation of Chinese artistic spirit under the tension of Chinese and Western comparison, highlights the uniqueness of Chinese artistic spirit, and then affirms the value of Chinese cultural spirit. Tang Junyi's view of mind and spirit, the general view of feeling and the understanding of time and space in art all laid a foundation for his analysis of the spirit of Chinese art. He thinks that the spirit of Chinese art shows the characteristics of "void and reality" and "travel", and these characteristics are also reflected in Chinese literature, so he further analyzes the similarities between the spirit of Chinese art and the spirit of Chinese literature. The third chapter compares Tang Junyi's Chinese artistic spirit and Xu Fuguan's Chinese artistic spirit, starting from the three aspects of quoting Chinese and Western cultures, demonstrating the relationship between morality and art, and expounding the different artistic spirits of Confucianism and Taoism. In order to highlight Tang Junyi the Chinese artistic spirit under the Chinese contrast angle of view unique place. Tang Junyi's interpretation of the spirit of Chinese art is based on the macro view, which is based on the comparison of Chinese and Western cultures, especially the differences in art. He grasped the "heart" and "temperament" in the traditional culture and took this as the theoretical starting point to explore the relationship between morality and art in the spirit of Chinese art. Against the background of opposing and even criticizing Confucian culture Tang Junyi reinterpreted the Confucian artistic spirit and gave it a high evaluation in order to improve the status of Confucian culture. The fourth chapter reflects on Tang Junyi's spirit of Chinese art. On the basis of carrying forward the spirit of traditional culture, he proposed to treat Chinese and Western culture equally, absorb the essence of western culture, provide a solution to the crisis of national culture at that time, and provide ideas for the modern transformation of traditional culture. This is still playing an important role in cultural exchange and collision today. But its thought also has neglects the aesthetic purity and the subjective idealism flaw.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J02

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