从程乃珊所译《喜福会》看其译者主体性的体现
发布时间：2018-11-07 12:27
【摘要】： 译者作为翻译活动的中心和主体,在翻译理论研究发展的漫长历史中却长期处于边缘地位。二十世纪七十年代西方翻译研究的“文化转向”将翻译纳入文化研究的领域,推动了译入语语言和文化的研究,译者的主体性作用这一课题在翻译研究中逐渐彰显,并且成为译学研究的热点。 本文以乔治·斯坦纳在哲学阐释学基础上提出的翻译四步骤理论为指导,通过分析《喜福会》的中文译本,尝试将译者主体性这个抽象概念分解到“信任”“侵入”“吸收”“补偿”四个具体翻译步骤中,以期对译者主体性如何影响并作用于译本这个问题获得具体的认知,从而肯定译者主体性在翻译过程中的重要作用,并对畅销书《喜福会》的翻译研究有一定的参考价值。 该论文首先详尽地概述了在文化转向后,国内外学者对译者主体性这一课题进行的研究。然后介绍了该论文的阐释学理论基础,重点讨论了乔治·斯坦纳的翻译四步骤理论及其在译者主体性研究中的运用。其后,本文从宏观层面讨论了程乃珊的译者主体性,重点介绍了她的生活经历,写作特点及其翻译意图。然后对译本进行了微观分析。程乃珊对原文的高度认可,她的语言能力,以及她相似的移民经历让她充分“信任”原著。她对标题以及景色描写、心理描写的变译体现了她对原著的“侵入”。她的语言是女性主义的书写,到处点缀着上海方言的幽默活泼,这是她对译文的“输入”。最后,作者发现她对原文斜体字和名字的隐含意义“补偿”的不够充分,因此提出了相应的修改意见。 通过详细的分析,作者得出以下结论:乔治.斯坦纳的四步骤理论为译者的主体性研究提供了一种客观的方法,其方法行之有效,对研究有较大的指导意义。
[Abstract]:As the center and subject of translation activities, translators have long been marginalized in the long history of the study of translation theory. The "cultural turn" of western translation studies in the 1970s has brought translation into the field of cultural studies, which has promoted the study of the target language and culture. The subject of the translator's subjectivity has gradually become apparent in translation studies. It has become a hot topic in translation studies. Guided by George Steiner's four-step theory of translation on the basis of philosophical hermeneutics, this paper analyzes the Chinese translation of the Joy Luck Club. This paper attempts to decompose the abstract concept of translator's subjectivity into four specific translation steps: "trust", "invasion" and "absorption" and "compensation", in order to gain a concrete understanding of how the translator's subjectivity affects and acts on the translation. Therefore, the translator's subjectivity plays an important role in the process of translation and has some reference value for the study of the best-selling book Joy Luck Club. Firstly, the thesis gives a detailed overview of the research on the translator's subjectivity after the cultural turn at home and abroad. Then it introduces the theoretical basis of hermeneutics of this thesis, focusing on George Steiner's four-step theory of translation and its application in the study of translator's subjectivity. Then, the author discusses Cheng Naishan's translator's subjectivity at the macro level, focusing on her life experience, writing characteristics and translation intention. Then the microcosmic analysis of the translation is carried out. Cheng Naishan's high recognition of the original text, her language skills, and her similar immigration experience give her full confidence in the original. Her translation of the title and scenery reflects her invasion of the original. Her language is feminist writing, dotted with the humor of Shanghai dialect, which is her "input" to the translation. Finally, the author finds that her "compensation" for the implied meaning of italics and names in the original text is not sufficient, so she puts forward corresponding suggestions. Through detailed analysis, the author draws the following conclusions: George. Steiner's four-step theory provides an objective method for the study of translator's subjectivity, which is effective and instructive.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I046;H315.9
本文编号：2316373
[Abstract]:As the center and subject of translation activities, translators have long been marginalized in the long history of the study of translation theory. The "cultural turn" of western translation studies in the 1970s has brought translation into the field of cultural studies, which has promoted the study of the target language and culture. The subject of the translator's subjectivity has gradually become apparent in translation studies. It has become a hot topic in translation studies. Guided by George Steiner's four-step theory of translation on the basis of philosophical hermeneutics, this paper analyzes the Chinese translation of the Joy Luck Club. This paper attempts to decompose the abstract concept of translator's subjectivity into four specific translation steps: "trust", "invasion" and "absorption" and "compensation", in order to gain a concrete understanding of how the translator's subjectivity affects and acts on the translation. Therefore, the translator's subjectivity plays an important role in the process of translation and has some reference value for the study of the best-selling book Joy Luck Club. Firstly, the thesis gives a detailed overview of the research on the translator's subjectivity after the cultural turn at home and abroad. Then it introduces the theoretical basis of hermeneutics of this thesis, focusing on George Steiner's four-step theory of translation and its application in the study of translator's subjectivity. Then, the author discusses Cheng Naishan's translator's subjectivity at the macro level, focusing on her life experience, writing characteristics and translation intention. Then the microcosmic analysis of the translation is carried out. Cheng Naishan's high recognition of the original text, her language skills, and her similar immigration experience give her full confidence in the original. Her translation of the title and scenery reflects her invasion of the original. Her language is feminist writing, dotted with the humor of Shanghai dialect, which is her "input" to the translation. Finally, the author finds that her "compensation" for the implied meaning of italics and names in the original text is not sufficient, so she puts forward corresponding suggestions. Through detailed analysis, the author draws the following conclusions: George. Steiner's four-step theory provides an objective method for the study of translator's subjectivity, which is effective and instructive.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：I046;H315.9
【引证文献】
相关硕士学位论文 前1条
1 王芳珍;文化预设视角下《喜福会》三个汉译本的对比研究[D];兰州大学;2012年
，本文编号：2316373
本文链接：https://www.wllwen.com/wenyilunwen/wenxuepinglunlunwen/2316373.html
