刺激与反应：中国古典美学中的感兴论
发布时间：2019-04-25 09:45
【摘要】： 感兴是中国古典美学中的一个重要美学范畴,在艺术创化生成和艺术品评欣赏中具有十分明显的作用。作为情感的唤起与激发,其来源于主体与客体之间的一种相互关系:即客观物像信息的刺激和主体的反应。在这种相互关系中,客观物像的刺激是主体情感生发的信息源,其刺激必须有主体相应的反应,而反应又是在主体已有的格局之中进行的,主体又对刺激信息进行顺应同化和调节。在刺激与反应这种相互关系中,主体注重情感的生成和兴发,通过情感的兴发,感悟宇宙人生的存在,感悟生命律动的意蕴,体验生命意识的韵味。 本文共分为五章。第一章主要论述现当代理论研究视域的感兴研究情况;第二章主要以皮亚杰的发生认识论为方法,分析物心之间的刺激与反应以及感兴的生成;第三章重点从艺术生成视角分析感兴生成;第四章侧重从理论研究视域来分析论述感兴的美学研究;第五章从中西视域进行比较分析,重点将感兴与灵感说、审美直觉说等西方美学理论进行比较分析,以探求感兴特有的生命体验本质。 本文旨在通过对感兴的分析,以探索感兴活动中主体的情感体验,更深入地探求主体在感兴活动中的生命感悟。
[Abstract]:Emotion is an important aesthetic category in Chinese classical aesthetics, which plays an important role in the creation of art and the appreciation of art. As the arousal and stimulation of emotion, it comes from a kind of mutual relation between subject and object, that is, the stimulation of objective object and image information and the reaction of subject. In this kind of relationship, the stimulus of objective object is the information source of the subject's emotion, its stimulation must have the corresponding reaction of the subject, and the reaction is carried out in the existing pattern of the subject. The subject also adapts to the assimilation and regulation of stimulus information. In the relationship between stimulation and reaction, the subject pays attention to the formation and development of emotion, through the emergence of emotion, the existence of cosmic life, the meaning of life rhythm, and the charm of life consciousness. This paper is divided into five chapters. The first chapter mainly discusses the sense of interest in modern and contemporary theoretical research, the second chapter is mainly based on Piaget's genetic epistemology to analyze the stimuli and reactions between the matter-center and the formation of the sensation, and the second chapter is based on Piaget's theory of genetic epistemology. The third chapter focuses on the perspective of artistic generation, the fourth chapter focuses on the theoretical research perspective to discuss the aesthetic study of emotional prosperity, and the fourth chapter focuses on the aesthetic research of emotional prosperity from the perspective of theoretical research. The fifth chapter makes a comparative analysis from the perspective of China and the West, focusing on the Western aesthetic theories such as feeling and inspiration theory, aesthetic intuition theory and so on, in order to explore the unique essence of life experience. The purpose of this paper is to explore the emotional experience of the subject in order to explore the life feeling of the subject in the process of emotional activity through the analysis of the emotional experience of the subject in order to explore the emotional experience of the subject in the process of sentimental activity.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J01
本文编号：2464986
[Abstract]:Emotion is an important aesthetic category in Chinese classical aesthetics, which plays an important role in the creation of art and the appreciation of art. As the arousal and stimulation of emotion, it comes from a kind of mutual relation between subject and object, that is, the stimulation of objective object and image information and the reaction of subject. In this kind of relationship, the stimulus of objective object is the information source of the subject's emotion, its stimulation must have the corresponding reaction of the subject, and the reaction is carried out in the existing pattern of the subject. The subject also adapts to the assimilation and regulation of stimulus information. In the relationship between stimulation and reaction, the subject pays attention to the formation and development of emotion, through the emergence of emotion, the existence of cosmic life, the meaning of life rhythm, and the charm of life consciousness. This paper is divided into five chapters. The first chapter mainly discusses the sense of interest in modern and contemporary theoretical research, the second chapter is mainly based on Piaget's genetic epistemology to analyze the stimuli and reactions between the matter-center and the formation of the sensation, and the second chapter is based on Piaget's theory of genetic epistemology. The third chapter focuses on the perspective of artistic generation, the fourth chapter focuses on the theoretical research perspective to discuss the aesthetic study of emotional prosperity, and the fourth chapter focuses on the aesthetic research of emotional prosperity from the perspective of theoretical research. The fifth chapter makes a comparative analysis from the perspective of China and the West, focusing on the Western aesthetic theories such as feeling and inspiration theory, aesthetic intuition theory and so on, in order to explore the unique essence of life experience. The purpose of this paper is to explore the emotional experience of the subject in order to explore the life feeling of the subject in the process of emotional activity through the analysis of the emotional experience of the subject in order to explore the emotional experience of the subject in the process of sentimental activity.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J01
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