索因卡与贝克特的荒诞戏剧对比研究 ————以《路》和《等待戈多》为例

发布时间：2023-04-12 01:49

　　在世界剧坛上,沃尔·索因卡和塞缪尔·贝克特都占据着不可动摇的地位。前者是当代尼日利亚最负盛名的剧作家,并于1986年获得诺贝尔文学奖。后者是20世纪英美文学最具影响的小说和戏剧家之一,于1969年获得诺贝尔文学奖。作为在戏剧创作方面造诣颇深的剧作家,两人在各自代表作《路》和《等待戈多》的创作中存在不少异同。作为一名经受过西方文明洗礼的非洲剧作家,索因卡的创作深受西方文明的影响,其代表作《路》中不乏西方荒诞剧式的对白与独白,晦涩难懂;戏剧情节和场景奇图怪诞。被称为荒诞派戏剧奠基人之一的贝克特,其代表作《等待戈多》也处处充斥着荒诞剧的元素,他排斥戏剧情节和结构,偏好稀奇古怪的舞台形象和颠三倒四的戏剧语言。以此来看,索因卡的《路》和贝克特的《等待戈多》一样,都属于折射出“荒诞剧”的影子。但对两部名作的进一步分析证明,索因卡在《路》中的创作哲学基础以及创作手法与《等待戈多》其实存在着很大的差异。此前,不少研究者曾分别对索因卡和贝克特的作品进行了多方面、深入的研究,也取得了相当丰富的研究成果。但是却鲜少有人选取二者的荒诞戏剧进行对比研究。因此,将索因卡的《路》和贝克特的《等待戈多》进行对比分析,...

【文章页数】：78 页

【学位级别】：硕士

【文章目录】：
摘要
ABSTRACT
Introduction
Chapter 1 Literature Review
    1.1 Literature Review of the Studies on Wole Soyinka at Home and Abroad
        1.1.1 Studies on Language Features in Wole Soyinka’s Dramas
        1.1.2 Studies on Images in Wole Soyinka’s Dramas
        1.1.3 Studies on Culture Connotation in Wole Soyinka’s Dramas
    1.2 Literature Review of the Studies on Samuel Beckett at Home and Abroad
        1.2.1 Studies on Existential Philosophy in Samuel Beckett’s Dramas
        1.2.2 Studies from the View of Post-structuralism in Samuel Beckett’s Dramas
        1.2.3 Studies from the View of Body Research in Samuel Beckett’s Dramas
        1.2.4 Studies from the View of Postmodernism in Samuel Beckett’s Dramas
        1.2.5 Studies from the View of Aesthetics in Samuel Beckett’s Dramas
Chapter 2 Production and Main Features of the Theatre of the Absurd
    2.1 Production of the Theatre of the Absurd
        2.1.1 Social Background for the Production of the Theatre of the Absurd
        2.1.2 Philosophical Foundation of the Theatre of the Absurd
    2.2 Development and Influence of the Theatre of the Absurd
    2.3 Representative Works and Main Features of the Theatre of the Absurd
Chapter 3 Similarities between The Road and Waiting for Godot
    3.1 Absurd Drama Language
        3.1.1 Absurd Drama Language in Waiting for Godot
        3.1.2 Absurd Drama Language in The Road
    3.2 Absurd Stage Picture
        3.2.1 Absurd Stage Picture in Waiting for Godot
        3.2.2 Absurd Stage Picture in The Road
    3.3 Absurd Drama Plot
        3.3.1 Absurd Drama Plot in Waiting for Godot
        3.3.2 Absurd Drama Plot in The Road
Chapter 4 Differences between The Road and Waiting for Godot
    4.1 The Differences in Philosophical Foundation
        4.1.1 The Philosophical Foundation in Waiting for Godot
        4.1.2 The Philosophical Foundation in The Road
    4.2 The Differences in Writing Techniques
        4.2.1 The Writing Techniques in Waiting for Godot
        4.2.2 The Writing Techniques in The Road
Conclusion
Bibliography
Acknowledgements
Appendix 读学位期间发表的学术论文及主持参加的科研项目
详细摘要



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