莎剧中Paradox与Oxymoron修辞及其汉译研究

发布时间：2017-08-09 12:22

  本文关键词：莎剧中Paradox与Oxymoron修辞及其汉译研究

  更多相关文章： paradox oxymoron 莎剧 汉译

【摘要】：Paradox与oxymoron是两种既有联系又有区别的修辞格,在莎士比亚戏剧中起到至关重要的作用。近年来,国内外学者对莎剧修辞进行了大量研究,成果颇丰,但多集中于双关、隐喻等常见辞格,鲜有涉及paradox与oxymoron,故将这两种修辞结合起来进行较为系统地剖析十分必要。本研究以《哈姆雷特》、《奥赛罗》、《麦克白》、《李尔王》及《罗密欧与朱丽叶》为基本语料来源,分别从paradox与oxymoron的异和同,以及这两种修辞的汉译两个层面进行探究。首先,paradox与oxymoron均由两个对立成分组合而成,表面自相矛盾,实则蕴含哲理；区别在于paradox是句子层面的修辞,oxymoron是短语层面的修辞。经过较为全面、系统地比较二者异同,发现这两种修辞在构成方式上差异较大。从语法结构层面划分,paradox可分为单词相对、短语相对和句子相对三种形式,oxymoron分为名词+名词、名词+of+名词、动词+动词、形容词+形容词、形容词+名词、动词+副词六种类型；然而,这两种修辞在语义关系和修辞功能上基本类似,即因果、方式、主从和交融关系,均具有强化语言、刻画人物和深化主题的修辞功能,由此提高了这两种修辞的辨识度,益于我们从深层次感悟其无穷的修辞魅力和艺术感染力。其次,本研究参照“辞格翻译方法模型”,选取梁实秋、朱生豪、卞之琳、孙大雨、方平五种代表性译本,对paradox与oxymoron辞格在不同译本中的翻译方法进行统计,发现一五位译者均倾向J：使用A1类方法(即同时保留原文辞格“修辞格式”和“修辞内容”的翻译方法),在影响这两种修辞汉译的程度上,修辞格式大于修辞内容,辞格的特点大于译者的特点。综上,相信本研究对莎剧语言研究尤其是修辞研究具有积极意义,也希望为相关研究有一定的启示。
【关键词】：paradox oxymoron 莎剧 汉译
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：H315.9;I046
【目录】：

• 摘要3-4
• Abstract4-9
• Chapter 1 Introduction9-13
• 1.1 Background9-10
• 1.2 Objectives10-11
• 1.3 Methodology11
• 1.4 Structure of the thesis11-13
• Chapter 2 Literature Review13-25
• 2.1 Studies on paradox and oxymoron abroad13-16
• 2.1.1 Etymology and definition13-14
• 2.1.2 Relevant researches14-16
• 2.2 Domestic studies on paradox and oxymoron16-25
• 2.2.1 Studies on classifications17-21
• 2.2.1.1 on paradox17-18
• 2.2.1.2 On oxymoron18-19
• 2.2.1.3 Differences between paradox and oxymoron19-21
• 2.2.2 Rhetorical studies21-23
• 2.2.3 Translation studies23-25
• Chapter 3 Similarities and Differences between Paradox and Oxymoron25-44
• 3.1 Differences between paradox and oxymoron25-38
• 3.1.1 Terminology25-27
• 3.1.1.1 Terminologies of paradox25-26
• 3.1.1.2 Terminologies of oxymoron26-27
• 3.1.2 Structures27-38
• 3.1.2.1 Structures of paradox28-34
• 3.1.2.2 Structures of oxymoron34-38
• 3.2 Similarities between paradox and oxymoron38-43
• 3.2.1 Semantic relations38-41
• 3.2.1.1 Cause-effect relation38-39
• 3.2.1.2 Manner relation39
• 3.2.1.3 Principal-subordinate relation39-40
• 3.2.1.4 Blending relation40-41
• 3.2.2 Rhetorical functions41-43
• 3.2.2.1 Strengthening expressive power41
• 3.2.2.2 Portraying characters41-42
• 3.2.2.3 Deepening theme42-43
• 3.3 Summary43-44
• Chapter 4 Chinese Translations of Paradox and Oxymoron in Shakespeare's Plays44-59
• 4.1 Brief survey of "translating methods of rhetorical devices"44-46
• 4.2 Statistics of paradox and oxymoron in Shakespeare's plays46-49
• 4.2.1 Statistical approaches46-47
• 4.2.2 Statistical results47-49
• 4.3 Rhetorical characteristics of paradox and oxymoron and their translations49-53
• 4.3.1 Translation of rhetorical forms49-51
• 4.3.2 Translation of rhetorical contents51-53
• 4.4 Translators' characteristics and translations of paradox and oxymoron53-58
• 4.4.1 Prose translators55-56
• 4.4.2 Poetic translators56-58
• 4.5 Summary58-59
• Chapter 5 Conclusion59-61
• 5.1 Major findings and conclusions59
• 5.2 Limitations and suggestions59-61
• Bibliography61-65
• Publications during the Postgraduate Program65-66
• Acknowledgements66-67

，

本文编号：645265