阿尔托戏剧理论中的“重影”探究

发布时间：2017-12-28 17:22

本文关键词：阿尔托戏剧理论中的“重影”探究　出处：《西南大学》2012年硕士论文　论文类型：学位论文

【摘要】：阿尔托在其影响最大的戏剧理论著作《戏剧及其重影》中提到的“重影”概念,是他戏剧理论的核心,同时也是了解阿尔托包括小说、诗歌、随笔在内整个创作的一条线索。本文主要研究“重影”概念的形成,“重影”的体系、来源及如何呼唤“重影”第一部分主要考察了”double"从出现到被译为“重影”的过程,说明了在“替身”、“两重性”、“双重性”、“影子”、“复象”、“重影”等众多词汇中选择“重影”一词的原因。也反映了国内对”double"意义的理解的深化。第二部分“重影的系统”探究了在个体和多重自我、人和永恒幽灵、戏剧和生活中出现的三组有递进关系的不同重影,并通过《贝壳与僧侣》等剧例详细论述了戏剧演出的当下是三组重影的交迭。第二部分结合阿尔托的特殊经历,讨论了“重影”的来源。首先它来自极端体验。阿尔托在电疗中的濒死体验,出院后的疯迷和幻觉,直接促进了“重影”的提出。同时,原始文化、象征主义、超现实主义和雅里剧团等土壤也为“重影”系统的发展提供了丰富营养。第四部分主要讨论呼唤“重影”的方法。除通过身体语言呼唤外,制造一个空的空间也是呼唤“重影”的重要途径。通过研究“重影”概念和“重影”体系成形的过程、其来源及如何呼唤“重影”,再辅助阿尔托特殊的身心经历,我们可以深入挖掘他戏剧理论的内核。
[Abstract]:Artaud's "ghost" concept mentioned in his most influential drama theory drama and its ghosting is the core of his drama theory. It is also a clue to understand Artaud's whole creation, including novels, poems and essays. This paper mainly studies the formation of the "ghost" concept, "ghosting" system, and how to call the "ghost" the first part is mainly on the "double" from appear to be translated as "the process of ghost", explained in the "double", "duality", "duality", the "shadow" and "image", "ghost" and other words in the selection of "ghost" is a word of reason. It also reflects the deepening of the understanding of the meaning of "double" in China. The second part of the "double" of the individual and multiple self, and eternal ghosts, drama and the life of the three groups have a progressive relationship different ghosting, and through the "shell" and other operas and monks cases discussed in detail the drama of the three group of double crossover. The second part, based on Artaud's special experience, discusses the source of "heavy shadow". First, it comes from extreme experience. Artaud's near death experience in electrotherapy, the crazy fan and hallucination after discharge, directly promoted the "heavy shadow". At the same time, primitive culture, symbolism, surrealism and Drama Troupe "Jari soil heavy shadow system provides rich nutrition. The fourth part mainly discusses the method of calling the "heavy shadow". In addition to the call of the body language, the creation of an empty space is also an important way to call for "heavy shadow". By studying the concept of "ghost" and the forming process of "ghost image" system, its source and how to call "ghost" and Artaud's special physical and mental experience, we can dig deeper into the core of his drama theory.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I565.073

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