意大利真实主义文学思潮与真实主义歌剧关系探略

发布时间：2018-01-04 04:37

本文关键词：意大利真实主义文学思潮与真实主义歌剧关系探略　出处：《解放军艺术学院学报》2013年04期 　论文类型：期刊论文

【摘要】：19世纪末、20世纪初的意大利歌剧之所以被冠以"真实主义歌剧",是因为这些歌剧揭露社会的阴暗面,关注社会低层人物的命运,给人一股批判现实主义的力量,并体现出了与19世纪70年代意大利真实主义文学、法国自然主义文学、乃至整个19世纪欧洲批判现实主义文艺思潮的关联。不仅如此,真实主义歌剧中的音乐也往往以与人物形象和性格极为吻合的咏叹调、戏剧性强烈的重唱、与具体情景、气氛密切相关的器乐段和新颖的配器赢得观众的喜爱。"真实主义歌剧"这个词并不指陈歌剧类型,其中的"真实主义"属审美范畴。"真实主义歌剧"应理解为"具有真实主义审美特征的歌剧"。真实主义文学思潮与真实主义歌剧的关系密不可分。
[Abstract]:In the late 19th century and the early 20th century, Italian operas were dubbed "realistic operas" because they revealed the dark side of society and paid attention to the fate of the lower echelons of society. It gives people a force of critical realism and embodies the Italian truism literature and French naturalistic literature in 1870s. In 19th century, even the whole European critical realism literature and art trend of association. Not only that, the real opera music is often with the characters and characters very consistent with the aria, dramatic and intense recital. With specific situations, atmosphere closely related to instrumental music and novel orchestration to win the audience's favorite. The term "realistic opera" does not refer to the type of opera. Among them, "truism" belongs to the category of aesthetics. "Real opera" should be understood as "opera with the characteristics of realism". The relationship between the trend of literary thought of truism and the opera of truism is inseparable.
【作者单位】：解放军艺术学院音乐系;
【分类号】：I546.06;J832
【正文快照】： 在19世纪欧洲文学的历史发展中,最具影响力的莫过于横扫整个欧洲文坛的“批判现实主义”思潮。这正如高尔基所说的,“批判现实主义”是“19世纪一个主要的、而且是最壮阔、最有益的文学流派”。19世纪20年代,批判现实主义文艺思潮崛起。30—40年代,随着“自由、平等、博爱”

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