模仿，转化，颠覆：《红字》三部曲之互文研究

发布时间：2018-01-14 04:12

本文关键词：模仿，转化，颠覆：《红字》三部曲之互文研究　出处：《苏州大学》2012年硕士论文　论文类型：学位论文

【摘要】：约翰厄普代克是美国当代最重要和最多产的作家之一。他所创作的《红字》三部曲包括《整月都是礼拜天》（1975），《罗杰教授的版本》(1986)，《S》(1988)。这三部小说的主人公分别是霍桑在《红字》（1850）中的三位主人公的现代版本。厄普代克通过扩展，反讽和重构霍桑的经典小说，创作了他自己的《红字》三部曲。厄普代克在系列小说中明确的互文创作代表了三部曲最显著地特点，其与霍桑经典小说的互文对话也为本次研究指明了方向。本文将从互文角度分析厄普代克的红字三部曲。本文首先介绍了《红字》三部曲的内容，本文将要展开的互文研究的理论基础，以及国内外对厄普代克作品的文献研究。本文的主题部分着眼于厄普代克对《红字》互文性创作的特点。首先研究了厄普代克在小说人物方面的互文模仿。由于霍桑在创作过程中承袭了“伊甸园故事”的原型要素，这一部分分别分析了原型故事和《红字》中体现的原型。接着分析了厄普代克在红字三部曲中对于这些原型的模仿。其次着眼于厄普代克对于原型符号的互文转换。厄普代克在三部曲中创造性的使用了包括符号象征物及场景，颜色符号以及字母符号。最后研究了厄普代克对于主题的颠覆。首先揭示了两位作者在作品中共同触及的主题，之后分别对这些主题进行讨论，，从而揭示出厄普代克所持的不同态度，这些主题涉及：性，宗教和妇女解放。最后本文总结了全文对于厄普代克红字三部曲的互文研究，指出其互文创作的特点，并且对于从其他方向进一步研究红字三部曲给予期望。
[Abstract]:John? Updike is one of the most important and prolific contemporary American writers. His trilogy, the Scarlet letter, includes "Sunday all month," 1975and "Professor Roger's Edition" 1986. The protagonists of the three novels are the modern versions of the three protagonists of Hawthorne in the Scarlet letter 1850. Updike reconstructs Hawthorne's classic novels through expansion, irony and reconstruction. Created his own trilogy of the Scarlet letter. Updike's explicit intertextuality in the series of novels represents the most salient feature of the trilogy. His intertextual dialogue with Hawthorne's classic novels also points out the direction of this study. This paper will analyze Updike's trilogy of the Scarlet letter from the perspective of intertextuality. This paper first introduces the contents of the trilogy of the Scarlet letter and the theoretical basis of the intertextuality study to be carried out in this paper. The thesis focuses on Updike's intertextuality of the Scarlet letter. Firstly, the author studies Updike's intertextuality imitation of the characters of the novel. Hawthorne inherited it in the process of writing. " The archetypal elements of the Garden of Eden story. This part analyzes the archetypes embodied in the archetypal story and the Scarlet letter, and then analyzes Updike's imitation of these archetypes in the trilogy of the Scarlet letter. Secondly, it focuses on Updike's intertextuality of archetypal symbols. In other words, Updike creatively uses symbolic symbols and scenes in the trilogy. Color symbols and alphabetical symbols. Finally, it studies Updike's subversion of themes. Firstly, it reveals the themes that the two authors touch together in their works, and then discusses these themes separately. In order to reveal the different attitudes held by Updike, these topics related to: sex, religion and women's liberation. Finally, this paper summarizes the full text of the study of Updike's trilogy of the Scarlet letter. The author points out the characteristics of his intertextuality and expects to further study the trilogy of the Scarlet letter from other directions.
【学位授予单位】：苏州大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I712.074

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