叶芝的矛盾诗学
发布时间:2018-03-08 02:28
本文选题:叶芝 切入点:矛盾对立 出处:《合肥工业大学》2012年硕士论文 论文类型:学位论文
【摘要】:本文主要以评传式写作手法全面考察了叶芝的生平与创作,尤其集中探讨了叶芝的面具学说和他在《幻景》中勾勒的神秘主义体系。通过比较叶芝与王尔德面具学说的异同,以及借用尼采有关酒神与日神精神的悲剧美学理论,本文揭示了面具学说的理论意义及其价值。本文提出,作为叶芝矛盾诗学之集中体现的神秘主义力作《幻景》从根本上来看可被视为是一套复杂的象征体系。本文借用尼采的悲剧学说剖析了叶芝体现于《幻景》中的悲剧性矛盾对立,认为正是叶芝的双重灵视赋予他既体现了真理同时又超越个人悲剧存在的能力。 在十九世纪浪漫派伟大作家的影响之下写作,叶芝根据当代爱尔兰变幻不定的社会和政治现状不断地做出调整,不断地再造自己。由于一心想在心灵的作坊中铸造出爱尔兰的民族精神,他不断的在捶打自己,直到把一切锻造成一个统一整体。叶芝深信一切事物都源于矛盾、分裂与冲突。人必须找到自己的反自我才能最终完整。在自我与命运的永久抗争中人生得以完美的呈现在作为一个整体的所有作品之中。叶芝的二元论思想和他的循环历史观表露出他的决定论倾向。他在《幻景》中构建的神秘主义玄学体系为他的艺术提供了一个参照系,帮助他将现实与正义统一在一个思想之中。虽然《幻景》提供了一幅悲剧景观,但作为一个关于诗学的隐喻体系,《幻景》既深深诱惑着人们,又令人不安。 本文第一章对中外叶芝研究进行了文献综述方面的概述。第二章探讨了叶芝与其时代环境的关系。第三章分别探究了叶芝自我意识的分裂、二元论思想及叶芝对作为统一原则的自我重塑的不懈追求。第四章详尽分析了叶芝面具学说的内涵及意义。第五章从悲剧性矛盾对立的角度考察了叶芝的《幻景》。第六章概括了本文的主题思想。
[Abstract]:This paper mainly reviews Yeats's life and creation by means of criticism and biography, especially focuses on Yeats's mask theory and the mystical system he outlines in Phantom, and compares the similarities and differences between Yeats and Wang Erde's mask theory. And with the help of Nietzsche's tragic aesthetic theory about the spirit of Dionysus and the Spirit of the Sun, this paper reveals the theoretical significance and value of the theory of mask. The mystic masterpiece "Phantom", which is the epitome of Yeats's contradictory poetics, can be regarded as a complex symbolic system fundamentally. This paper uses Nietzsche's theory of tragedy to analyze Yeats's representation in Phantom. Tragic contradictions and antagonism, It is Yeats's double vision that gives him the ability to embody truth and transcend the existence of personal tragedy. In 19th century, under the influence of the great Romantic writers, Yeats constantly adjusted to the changing social and political situation in contemporary Ireland. He kept reinventing himself. Because he wanted to forge the Irish national spirit in the workshop of his heart, he kept beating himself until he forged everything into a unified whole. Yeats was convinced that everything came from contradiction. Division and conflict. One must find one's own anti-ego in order to finally be complete. In the eternal struggle between self and destiny, life is perfectly presented in all works as a whole. Yeats's dualism and him. His cycle of history reveals his determinism. The mystical metaphysical system he constructs in Phantom provides a frame of reference for his art. Although Phantom provides a tragic landscape, as a metaphorical system of poetics, Phantom not only seduces people deeply, but also disturbs people. The first chapter summarizes the literature review of Yeats research in China and abroad, the second chapter discusses the relationship between Yeats and his time environment, the third chapter explores the division of Yeats' self-consciousness. Dualism and Yeats' relentless pursuit of self-remoulding as a unified principle. Chapter 4th analyzes the connotation and significance of Yeats' mask theory in detail. Chapter 5th examines Yeats' vision from the perspective of tragic contradiction. Chapter 6th summarizes the main ideas of this paper.
【学位授予单位】:合肥工业大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I562.06
【相似文献】
相关期刊论文 前10条
1 傅浩;《当你年老时》:五种读法[J];外国文学;2002年05期
2 胡则远;叶芝的神秘哲学与中国阴阳五行学说之比较[J];中南工业大学学报(社会科学版);2002年01期
3 丁祖馨;;叶芝——20世纪英国诗坛的泰斗[J];英语知识;1993年01期
4 月梵;风流血案(三)——选自《法制故事》[J];时代消防;1994年08期
5 李光耀;玉叶芝兰伴我行[J];人才w,
本文编号:1582028
本文链接:https://www.wllwen.com/wenyilunwen/wxchuangz/1582028.html