跨媒介视野下严歌苓小说研究

发布时间：2018-03-16 01:07

本文选题：严歌苓　切入点：跨媒介　出处：《曲阜师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：严歌苓是当代国内外文坛上深具影响力的作家之一，她的小说综合了不同艺术媒介之长，具有独树一帜的叙事风格。本文将严歌苓的小说文本纳入到“跨媒介”视野下进行深入解读，通过将小说与其他媒介形式进行对照，探讨严歌苓小说中独特的艺术特征，并深入挖掘其中的文学性功能及审美意义。绪论部分首先厘清媒介及跨媒介视野相关概念，，介绍了严歌苓的创作及学界对其作品的研究现状，并从外因和内因两个方面，分析运用跨媒介视角解读严歌苓小说的合理性和创新性。依据严歌苓在其小说素养形成过程中，与其他艺术媒介接触、活动的密切程度，正文部分分别从绘画思维、舞蹈思维、影像思维三个方面进行具体论述。第一部分着重分析了严歌苓小说描写中体现的绘画思维。严歌苓借鉴了绘画艺术中色彩和光影元素的表意功能，将笔下人物内在的情绪和心理直观地外化为具体的视觉元素，通过小说浓墨重彩的语言描写，营造“画面感”。严歌苓还进一步从绘画构图手法中获得灵感，在小说中化用“框架式”构图方法，不仅能够收聚视野，而且营造了一种“窥视”效果。第二部分探究严歌苓小说在人物形象塑造方面体现的舞蹈思维。作者依据舞蹈艺术重视人物肢体语言和展示生命存在感的特点，将其运用到小说人物的塑造当中，显示出笔下人物独特的性格和人生。舞蹈的动作性和抒情性，与小说的叙事性相结合，实现了文拍与舞拍的共振。第三部分主要论证了严歌苓在小说叙事手法上对影视蒙太奇手法的应用。严歌苓凭借她担任多部电影编剧的敏锐度，在她的许多作品中都借鉴了影视“蒙太奇”手法。这些小说或淡化了小说直线进行的时间线索，或直接将小说情节以独立的“场景”和“镜头”的形式进行呈现。处于不同时空的“场景”之间拼贴转换，不仅为小说结构注入了空间化架构，也改变着故事原有的叙述节奏，画面与画面的组接达到了意义增殖的效果，丰富了其小说的叙事手法和艺术内涵。在多元化的时代大背景下，小说与绘画、舞蹈、电影这些分属于不同领域的艺术形式也找到了共鸣之声。严歌苓将小说与多种非小说艺术手法融会贯通，在探寻写作方式中探寻着人性与自我。本文引入“跨媒介”视野对严歌苓小说进行观照，旨在通过新的视角对严歌苓小说的艺术性进行深入探究，为严歌苓小说研究开辟一条新的路径。
[Abstract]:Yan Geling is one of the most influential writers in the contemporary literary world at home and abroad. Her novels integrate the strengths of different artistic media. In this paper, Yan Geling's novel text is brought into the perspective of "cross-media" for in-depth interpretation, and by comparing the novel with other media forms, this paper probes into the unique artistic characteristics of Yan Geling's novels. And dig deeply into its literary function and aesthetic significance. The introduction part first clarifies the related concepts of media and cross-media vision, introduces Yan Geling's creation and the current situation of academic research on his works, and from two aspects of external and internal causes. This paper analyzes the rationality and innovation of Yan Geling's novels from the perspective of cross-media. According to the close degree of his contact with other artistic media in the process of his novel literacy formation, the text part separately from painting thinking, dance thinking, The first part focuses on the analysis of the painting thinking embodied in the description of Yan Geling's novels. Yan Geling draws lessons from the ideographic functions of color and light and shadow elements in the painting art. The inner emotions and psychology of the characters are intuitively externalized into specific visual elements, and through the language description of the novels, they create a "sense of picture". Yan Geling also gets inspiration from the method of painting composition. The "framing" method used in the novel is not only able to gather vision, In the second part, the author explores the dance thinking embodied in the portrayal of the characters in Yan Geling's novels. According to the dance art, the author attaches importance to the body language of the characters and shows the characteristics of the sense of existence of life. By applying it to the characterization of the novel, it shows the unique character and life of the characters in the novel, the movement and lyricism of the dance, and the narration of the novel. The third part mainly demonstrates the application of Yan Geling to the film and television montage technique in the novel narrative technique. In many of her works, she draws on the movie-film "montage" technique. These novels or downplay the time clues of the straight line of the novel, Or directly presenting the plot of the novel in the form of an independent "scene" and "lens". The collage conversion between "scenes" in different time and space not only infuses the structure of the novel into a spatialized structure, but also changes the original narrative rhythm of the story. The combination of picture and picture achieves the effect of meaning multiplication and enriches the narrative technique and artistic connotation of his novel. Under the background of diversified times, novels and paintings, dance, movies, which belong to different fields of art, have also found the sound of resonance. In order to explore the artistry of Yan Geling's novels through a new angle of view, this paper introduces the "cross-media" perspective to explore humanity and ego. It opens up a new path for the study of Yan Geling's novels.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：I712.074

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