《痕迹》和《爱药》的宗教杂糅特征

发布时间：2018-03-29 03:05

本文选题：《痕迹》　切入点：《爱药》　出处：《外国文学研究》2013年02期

【摘要】：路易斯·厄德里克将西方的基督教元素与美国本土宗教文化结合在小说中,在宗教结构上确定了杂糅性的文学身份。文本中宗教层面的杂糅技巧立足于本土传统,它不仅是对视角和语言的简单混杂,也在结构上创建了一个杂糅的表述方式,在创建自身意义的同时,宗教层面的杂糅性形式也鼓励对白人宗教霸权统治的抵抗与颠覆。在这种方式下,厄德里克的小说营造了一个新颖的宗教话语,进而创建了具有主体自足性的当代美国本土文本。然而,厄德里克的方法不仅限于复兴层面。对殖民意识和《圣经》式文本的颠覆以及将西方天主教与传统印第安神话的杂糅性应用是厄德里克宗教杂糅模式的主要特征。与印第安人构建民俗宗教的文化努力相似,厄德里克作品中的文学杂糅机制强化了印第安人之间的情感和精神联系。
[Abstract]:Louis Edric combines the Christian elements of the West with the native American religious culture in the novel, and determines the mixed literary identity in the religious structure. The blending technique of religious level in the text is based on the local tradition. It is not only a simple mixture of visual angle and language, but also a mixed expression in structure, which creates its own meaning at the same time. Religious hybridity also encourages resistance and subversion to white religious hegemony. In this way, Edric's novels create a novel religious discourse. Thus creating the contemporary American native text with subjective self-sufficiency. However, Edric's approach is not limited to revival. The subversion of colonial consciousness and biblical texts and the hybrid application of Western Catholicism and traditional Indian mythology are the main features of the mixed model of Edric's religion. Similar to the cultural efforts of the Indians to construct folklore, The literary hybridity in Edric's works strengthens the emotional and spiritual connection between Indians.
【作者单位】：复旦大学外文学院英文系;
【基金】：国家社科项目“美国印第安作家路易斯·厄德里克作品研究”【项目批号:11CWW024】的阶段性成果
【分类号】：I712.074

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