论王尔德《夜莺与玫瑰》、《道林格雷的画像》和《莎乐美》中的色彩意象

发布时间：2018-04-04 15:44

本文选题：《夜莺与玫瑰》　切入点：《道林格雷的画像》　出处：《河南科技大学》2012年硕士论文

【摘要】：奥斯卡王尔德（1854—1900）是英国唯美主义艺术运动的倡导者，著名的作家、诗人、戏剧家、艺术家。在牛津大学学习时，王尔德受到了沃尔特佩特及约翰拉斯金的审美观念影响，并接触了新黑格尔派哲学、达尔文进化论和拉斐尔前派的作品，这为他之后成为唯美主义先锋作家确立了方向。他的作品在世界文学史上占有重要地位，同时他也是中国新文学初创时期第一批被介绍给国人的外国作家之一。王尔德创作的童话比他其他的作品流传更广，传播到了世界上每一个有孩子的地方。《夜莺与玫瑰》是一篇简单的故事，色彩鲜明却不复杂，情感深厚却有落差，更能打动人心，注重美育胜过道德说教。而作为王尔德唯一的长篇小说，《道林格雷的画像》是饱受争议的经典。这本书有着引诱人堕落的魔力，光明与黑暗，善与恶，美丽与丑陋对比鲜明，给人与众不同的美学体验。王尔德对美学的领悟与运用体现在他对色彩的精心描写与搭配上。与王尔德的其他戏剧不同，《莎乐美》是王尔德完完全全的美学实验，色彩浓丽，层次分明，显露出他“为艺术而艺术”的唯美主张。本文通过对这三个文本进行具体分析，尝试找出王尔德在色彩运用方面的模式，以及色彩意象在王尔德的美学实验中所起的作用。本文共包含五个部分，除了引言和结论，主体部分的三个章节分别对王尔德的这三部作品进行色彩运用和搭配上的分析。第一章是对《夜莺与玫瑰》中色彩意象的分析。首先，色彩的构成。主要是红色和白色。其次是色彩的变化。童话里玫瑰的颜色由浅变深，爱情也由青涩到成熟。最后是色彩的对比。王尔德通过对色彩的把握和应用构造了一个三维的童话世界。第二章是对《道林格雷的画像》中色彩意象的分析。首先是对小说中出现的色彩意象构成的分析，包括花朵，人的外表，烟雾等。其次是色彩的变化，包括冷暖色调，色彩的深浅。最后是色彩的对比，包括亮色与暗色，本土颜色与异国风情。小说里很重要的一点是明与暗，正与邪，美与丑的二分法。血腥，惊悚，怪异产生不俗的美。第三章是对《莎乐美》中色彩意象的分析。主要包括研究色彩的构成，如黑色，红色和白色。分别对应先知约翰，莎乐美和月亮。其次是色彩的变化。冷色和暖色，单色与多色。而戏剧的前半部分是偏向于冷色的，后半部分更倾向于暖色调。最后是色彩的对比。简单色与复杂色，男人的色彩与女人的色彩。男性在剧中是被动的位置，色感坚定保守；女性为主动，色彩热情灵动。综上所述，本文通过对王尔德童话，，小说，戏剧的三部代表作进行色彩意象的分析，探索他的艺术特色。通过新的视角对文本进行解读，我们可以更好地理解王尔德唯美主义文学主张及其作品内涵。
[Abstract]:Oscar Wang Erde (1854-1900) is an advocate, famous writer, poet, dramatist, and artist of British aestheticism.While studying at Oxford University, Wang Erde was influenced by Walter Pate's and John Ruskin's aesthetic ideas, and exposed to Neo-Hegel philosophy, Darwinian Evolutionism, and the works of the Raphaeles.This set the direction for him to become a pioneer writer of aestheticism.His works play an important role in the history of world literature, and he is also one of the first foreign writers who were introduced to Chinese people in the early period of Chinese new literature.Wang Erde's fairy tales are more widely spread than his other works, spreading to every place in the world where there are children. Nightingale and Rose is a simple story with bright but not complicated colors, deep emotions and differences, and more touching.Pay more attention to aesthetic education than moral preaching.As Wang Erde's only novel, Dorian Gray's Portrait is a controversial classic.The book has the charm of corruption, light and darkness, good and evil, beauty and ugliness contrast sharply, giving a distinctive aesthetic experience.Wang Erde's understanding and application of aesthetics is embodied in his careful description and collocation of color.Different from Wang Erde's other plays, Salome is a complete aesthetic experiment of Wang Erde, which is rich in color and clear in structure, showing his aesthetic proposition of "art for the sake of art".Through the analysis of the three texts, this paper tries to find out the pattern of Wang Erde's application of color and the role of color image in the aesthetic experiment of Wang Erde.This paper consists of five parts. In addition to the introduction and conclusion, the main part of the three chapters of Wang Erde's three works on the use of color and collocation analysis.The first chapter is the analysis of the color image in Nightingale and Rose.First, the composition of color.Mainly red and white.The second is the change of color.The color of roses in fairy tales has changed from light to deep, and love has changed from green to mature.Finally, the contrast of color.Wang Erde constructed a three-dimensional fairytale world by grasping and applying color.The second chapter is the analysis of color image in Dorian Gray's Portrait.The first is the analysis of the composition of color images in the novel, including flowers, people's appearance, smoke and so on.The second is the change of color, including warm and cold tone, the depth of color.Finally, the contrast of colors, including bright and dark colors, local colors and exotic customs.The important point in the novel is the dichotomy of light and darkness, right and evil, beauty and ugliness.Blood, thriller, weird produce good beauty.The third chapter is the analysis of color image in Salome.Mainly including the study of color composition, such as black, red and white.Corresponding to the Prophet John, Salome and Moon respectively.The second is the change of color.Cool and warm, monochrome and polychromatic.The first part of the play tends to be cool, and the second half to warm tone.Finally, the contrast of color.Simple color and complex color, man color and woman color.Male in the play is a passive position, a firm conservative color sense; women for the initiative, color enthusiasm smart.To sum up, this paper explores Wang Erde's artistic characteristics by analyzing the color images of Wang Erde's three masterpieces: fairy tale, novel and drama.From a new angle of view, we can better understand Wang Erde's aestheticism and the connotation of his works.
【学位授予单位】：河南科技大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.078

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