论莱辛小说中的疯狂

发布时间：2018-04-24 11:46

本文选题：多丽丝·莱辛 + 《野草在歌唱》　；参考：《南京大学》2012年硕士论文

【摘要】：多丽丝·莱辛是英国当代文坛最重要的作家之一。“疯狂”作为莱辛多变的文学创作中一种显眼而常见的文学现象,不仅与梦境、无意识、古怪行为等共同建构了莱辛小说中主人公的某种反叛的特质,也展现出了身处现代、后现代文化漩涡中的莱辛用文学的方式对现代理性和当代文化所做的反思。本论文立足于莱辛重点描写主人公“疯狂”状态的三个文本——《野草在歌唱》、《金色笔记》、《坠入地狱》,以莱辛小说中常见的“疯狂”为关键词,以作家自身的思考为路径,以文学史上其他涉及疯狂的小说为参照,来探索莱辛作品中“疯狂”形象和“疯狂”主题的独特性,并以此找到莱辛在后现代文学中的位置。本文力图阐明莱辛笔下的“疯狂”已经不是一种写作策略或技巧,而是现代人的一种生存状态,是被理性所遮蔽和压抑的原生命。莱辛是想通过打破扎根在西方文化中的“虚幻的二分法”,来改变人们对“疯狂”的看法；通过对现代人“疯狂”之旅的追索,来寻找现代文化的出路。第一章：通过对疯狂的理论溯源,理解疯狂作为一种指称,在不同时期被赋予了不同的内涵。第二章：通过分析《野草在歌唱》中白人女孩玛丽在非洲殖民地上走向疯狂的整个历程,理解疯狂在由理性所统辖的世界里必然会遭遇的被命名、驱逐和戕害的命运。第三章：通过分析《金色笔记》中主人公安娜从陷入疯狂,到在疯狂中重获生活的勇气的经过,理解莱辛笔下的疯狂与其说是一种病,不如说是一种治愈分裂的药,一种实现救赎的力量。第四章：通过分析《坠入地狱》中主人公查尔斯所身处的内、外两个绝然分裂的世界——将其命名为“失忆者”、“病人”、“疯子”的现实世界和他以无名氏的身份展开充满洞见的追寻之旅的内心世界,理解莱辛对整个西方文明传统所做的反思,对渗透在日常生活中的理性霸权进行的反讽,以及对以直观方式洞察事物融合的真相的苏菲主义的青睐。
[Abstract]:Doris Lessing is one of the most important writers in contemporary English literature. Madness, as a conspicuous and common literary phenomenon in Lessing's changeable literary creation, not only constructs some rebellious character of the protagonist in Lessing's novels, but also shows that he is in modern times. Lessing in the whirlpool of postmodern culture reflects on modern reason and contemporary culture in literary way. This thesis is based on the three texts in which Lessing focuses on describing the heroine's "Crazy" state-"Wild Grass singing", "Golden Notebook", "falling into Hell", taking the common "madness" in Lessing's novels as the key word, and taking the writer's own thinking as the path. Referring to other novels involving madness in the history of literature, this paper explores the uniqueness of the image of "madness" and the theme of "madness" in Lessing's works, and finds out the position of Lessing in postmodern literature. This paper tries to clarify that "madness" in Lessing's works is no longer a writing strategy or skill, but a living state of modern people, which is the original life obscured and suppressed by reason. Lessing wants to change people's view of "madness" by breaking the "illusory dichotomy" rooted in western culture, and to find the way out of modern culture by tracing the journey of "madness" of modern people. Chapter one: through tracing the theory of madness, we understand that madness as a kind of reference has been endowed with different connotations in different periods. Chapter two: by analyzing the whole course of the white girl Mary going crazy in African colonies in "Wild Grass in singing", we can understand the naming, expelling and killing fate of Crazy in the world governed by reason. Chapter three: by analyzing the story of An Na, the protagonist in the Golden Notebook, from falling into madness and gaining courage to live in madness, it is understood that Lessing's madness is not so much a disease as a cure for division. A force for salvation. Chapter four: by analyzing the two worlds in which Charles, the protagonist in "falling into Hell," are separated, they are called the memory loss, the patient, The real world of "madman" and the inner world of his insightful pursuit as an anonymous man, to understand Lessing's reflection on the entire tradition of Western civilization, and his irony of the rational hegemony that permeates daily life. And the favor of Sufi-ism, which intuitively sees the truth of the fusion.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.074

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