法国现代主义文学想象中国的方式论

发布时间：2018-04-27 06:46

本文选题：法国现代主义文学 + 想象中国　；参考：《安徽大学学报(哲学社会科学版)》2014年03期

【摘要】：在20世纪上半叶中西文化的交流与碰撞的语境中,法国现代主义作家的作品充当了发掘中国文化和展现中国面貌的重要角色。他们遵循相似律、接近律、相反律的想象逻辑对中国进行了不同程度的描绘与重构,进而生成了特定时空中的中国知识和图像。中国既是剧作家克洛岱尔诠释天主教真谛的神器,也是诗人谢阁兰拓展"自我帝国"的意识疆域的触媒和亨利·米修拯救西方"野蛮人"的一个良方。可以说,法国现代主义文学中的"中国"构成了克洛岱尔、谢阁兰等现代主义作家反思文化传统的重要资源,拓展了他们的艺术视野和思维,拓宽了西方现代主义文学题材和主题的疆界,显示出西方近代文明在全球化历程中对他者文化的重大形塑作用,也对我们反思民族文化的发展有着重要的启示性作用。
[Abstract]:In the context of the communication and collision between Chinese and Western cultures in the first half of the 20th century, the works of French modernist writers played an important role in discovering Chinese culture and showing its appearance. They follow the similarity law, the approach law, and the imagination logic of the opposite law to describe and reconstruct China in different degrees, and then produce Chinese knowledge and images in a specific time and space. China is not only the artifact of dramatist Krodell's interpretation of the true meaning of Catholicism, but also the catalyst for the poet Xie Chei-lan to expand the conscious territory of the "self-empire" and a good recipe for Henry Messius to save the western "barbarians". It can be said that "China" in French modernist literature constitutes an important resource for modernist writers, such as Krodell and Chegelan, to reflect on cultural traditions and broaden their artistic horizons and thinking. It broadens the boundaries of the subjects and themes of western modernist literature, and shows that modern western civilization plays an important role in shaping the culture of the other in the course of globalization, and also has an important enlightening effect on our reflection on the development of national culture.
【作者单位】：武汉大学文学院;
【基金】：国家社科基金重点项目(12AZD090) “中央高校基本科研业务费专项资金”资助武汉大学自主科研项目
【分类号】：I565.06

【参考文献】