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论《流沙》中非裔美国女性主体性的建构

发布时间:2018-05-29 16:02

  本文选题:内拉·拉森 + 《流沙》 ; 参考:《华中师范大学》2012年硕士论文


【摘要】:作为第一位获得古根海姆基金会(Guggenheim Foundation)创作基金的美国黑人女性作家,内拉·拉森成为哈莱姆文艺复兴的重要人物之一。拉森的作品深切关注美国非裔黑白女性混血儿的生存现状以及她们的抗争历程。在其代表作《流沙》中,拉森探索了白人主流价值观对美国非裔女性形象的扭曲和变形,在抨击种族歧视的同时也鞭笞了性别歧视,文化霸权和家庭因素对黑人妇女的影响。她从种族、性别、文化和家庭等多重维度深刻揭露了黑人女性主体意识的觉醒以及其主体意识建构所遭受的重重压力。由于无法在双重的种族环境中找到自己的归属,黑白混血儿不可避免的成为种族社会中自我定义的失败者和牺牲品。本文通过结合小说文本对种族、性别和阶级的刻画和描写,试从主体性的角度分析《流沙》中的主人公的人物形象,探索黑人女性主体性意识的觉醒,建构以及其失败的根源,旨在为国内拉森作品研究提供一个新的切入点。 本文一共分为四章。第一章简要介绍拉森的主要成就,简要介绍作品,并对国内外学者对其作品的研究做了梳理。第二章着重分析在多重压力之下美国非裔女性主体意识的觉醒,其中包括她作为一个黑人的主体性意识的觉醒,以及作为一名黑人女性的主体性意识的觉醒。第三章探讨了黑人女性主体性建构失败的根源:深受白人霸权文化入侵,种族歧视,性别歧视以及破碎家庭关系的影响,黑人女性尤其是黑白混血儿注定无法自我定义,从而无法建构起自己的主体性。第四章是结论部分。在总结前文的基础上,评述拉森通过探索多重压迫之下非裔美国女性主体性丧失的原因,进一步指出黑白混血儿无法自我构建主体性的根源是其永远无法获取的种族归属感。
[Abstract]:As the first female American writer to receive Guggenheim Foundation Foundation, Nera Larsen became one of the important figures in the Harlem Renaissance. Larson's works are deeply concerned about the existence of black and white women in the United States and their struggle. In his masterpiece quicksand, Larson explores the distortion and transformation of the white mainstream values to the image of African-American women, criticizing racial discrimination as well as whipping the influence of gender discrimination, cultural hegemony and family factors on black women. From the multiple dimensions of race, gender, culture and family, she deeply exposed the awakening of the subjective consciousness of black women and the pressure on the construction of the subjective consciousness of black women. Unable to find their own identity in a dual racial environment, black and white hybrids inevitably become self-defined losers and victims in racial society. By combining the depiction and description of race, sex and class in the novel text, this paper tries to analyze the characters of the protagonist in quicksand from the perspective of subjectivity, to explore the awakening, construction and failure of black women's subjectivity consciousness. The aim is to provide a new entry point for the study of Larsen's works in China. This paper is divided into four chapters. The first chapter briefly introduces Larsen's main achievements, briefly introduces his works, and combs the research of his works by domestic and foreign scholars. The second chapter focuses on the awakening of African-American women's subjective consciousness under multiple pressures, including the awakening of her subjective consciousness as a black woman and the awakening of her subjective consciousness as a black woman. The third chapter discusses the causes of the failure of the subjectivity construction of black women: influenced by the invasion of white hegemonic culture, racial discrimination, sexism and broken family relations, black women, especially black and white hybrids, are doomed to be unable to define themselves. Therefore, it is impossible to construct one's own subjectivity. Chapter four is the conclusion. On the basis of summing up the above, the author discusses the reason why African-American women lose their subjectivity under multiple oppression, and further points out that the root of black and white hybrids' inability to construct their own subjectivity is the sense of racial belonging that they can never obtain.
【学位授予单位】:华中师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I712.074

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相关硕士学位论文 前1条

1 武清宇;论哈莱姆文艺复兴时期的美国黑人女性文学[D];山东大学;2008年



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