《水浒传》与《张吉山》比较研究

发布时间：2018-06-15 07:10

本文选题：水浒传 + 张吉山　；参考：《延边大学》2012年硕士论文

【摘要】：中国古典长篇小说《水浒传》是一部长期酝酿而成的作品。因此,《水浒传》中,众多的人物和复杂的情节,都有其不同的历史和背景。随着时代和读者的主观意识的变迁,对作品的理解也会有所变异。而韩国的小说《张吉山》同样是一部口碑非常好的长篇小说。这部作品中的故事和情节同样是曲折离奇,非常耐人寻味。《张吉山》与《水浒传》一样是“义贼”类的小说。所以本文按照比较文学中平行研究的方法,对下列几个能使人产生共鸣的类型,进行剖析。其一,《水浒传》与《张吉山》的创作背景与内容比较。这两部作品,在作品中与作品外的时代背景都是有时间差距的。《水浒传》是以元朝的事用宋朝的人物来描写和阐释,而《张吉山》是把20世纪后的事以17世纪的朝鲜为背景描写。且两部作品都是以批判当时所处时代的黑暗面,同时揭示了革命的斗争性。其二,在形式层面进行比较。形式层面分为两种,一为结构,二为语言和方言的使用进行比较。结构是一部作品的框架,所以结构比较是必不可少的。而语言的使用可以算得上是与读者沟通的桥梁,语言的准确使用可以决定作品的成败。本文中对语言艺术的比较研究本身具有重要的意义。其三,在内容成面上,对人物与主题进行比较研究。人物比较中,本文分为了男性和女性人物进行了比较研究。划分男性和女性人物会使读者更深一步了解人物的个性与在作品中的作用。主题类型的比较。主题类型分为两种,一是“乱世”,二是理想。《水浒传》与《张吉山》是“义贼”一类的小说,所以“乱世”是两部作品的中心主题,并且是小说的大动脉。而理想是伴随着“乱世”诞生的另一个主题。以上都是《水浒传》与《张吉山》中比较好理解的研究课题。读者若是根据上述研究来解读《水浒传》与《张吉山》会有更进一步的认识。从两部作品的创作价值来看,进行比较研究会对中韩两国的小说史或小说延续会起到承上启下的作用。《水浒传》在中国的地位是不言而喻的,而《张吉山》在韩国小说的地位也是不可动摇的。所以两部作品的比较研究会促使两国的小说研究的发展。
[Abstract]:Chinese classical novel Water margin is a long-term brewing work. Therefore, in the Water margin, many characters and complex plot have their different history and background. With the change of the times and the subjective consciousness of the readers, the understanding of the works will also change. South Korea's novel Jang-jee-shan is also a very good novel. The story and plot in this work are equally zigzag and intriguing. Zhang Jishan and Water margin are just like "righteous thieves" novels. Therefore, according to the method of parallel research in comparative literature, this paper analyzes the following types that resonate with people. First, the creation background and content comparison between Water margin and Zhang Jishan. There is a time gap between the two works and the background of the times outside the works. The Water margin is described and explained by the characters of the Song Dynasty in the Yuan Dynasty. Zhang Jishan describes the events after the 20 th century against the background of North Korea in the 17 th century. Both works criticize the dark side of the time and reveal the fighting of revolution. Second, in the formal level of comparison. The formal level is divided into two types, one is the structure, the other is the comparison between the use of language and dialects. Structure is the framework of a work, so structure comparison is essential. The use of language can be regarded as a bridge of communication with readers, and the accurate use of language can determine the success or failure of the work. The comparative study of language art in this paper is of great significance in itself. Third, in the content of the surface, the characters and the theme of comparative research. In the comparison of characters, this paper is divided into male and female characters to carry on the comparative research. The distinction between male and female characters will give readers a deeper understanding of their personality and role in their works. Comparison of subject types. The theme types are divided into two types: one is "gone with the Wind" and the other is ideal. "Water margin" and "Zhang Jishan" are novels of "righteous thief", so "gone with the Wind" is the central theme of the two works and is the main artery of the novel. The ideal is another theme with the birth of "gone with the Wind". The above are relatively easy-to-understand research topics in Water margin and Zhang Jishan. Readers will have a better understanding of Water margin and Zhang Jishan. From the point of view of the creative value of the two works, a comparative study will serve as a link between the history of the novels of China and South Korea or the continuation of the novels. The position of the Water margin in China is self-evident. The position of Jang-san in Korean novels is also unshakable. Therefore, the comparative study of the two works will promote the development of novel study in the two countries.
【学位授予单位】：延边大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I207.412;I312.507.4

【参考文献】