论《失乐园》中的模糊性

发布时间：2018-06-22 12:34

本文选题：模糊性 + 权力　；参考：《浙江财经学院》2012年硕士论文

【摘要】：《失乐园》是由十七世纪的英国诗人约翰?弥尔顿所著的一篇史诗性诗歌。弥尔顿选取了一段圣经故事作为诗歌的主要内容,在《失乐园》中阐述了人类祖先亚当和夏娃受堕落天使撒旦的诱惑背叛上帝,最终被逐出伊甸园的经过。本文运用燕卜荪的相关理论阐述弥尔顿《失乐园》中的模糊性。在燕卜荪的《复义七形》中,他将模糊性共分为七种类型。而《失乐园》中所产生的模糊性分别属于燕卜荪所定义的第六种和第七种模糊性:上帝意象,撒旦意象的塑造所产生模糊性属于第七种模糊性,因为是由上下文所规定的相矛盾的两种描述同时应用在一个形象的塑造上;而《圣经》和希腊罗马神话糅合所产生的模糊性属于第六种模糊,因为两个不相关的文化体系的融合势必形成模糊。在此部分中,部分文本将会被引用来分析文中模糊性的表现。除了对模糊性的表现进行分析以外,诱其形成的历史根源也将运用新历史主义作为方法论进行细致分析。新历史主义学家认为文学作品带有政治维度,是权力和颠覆协商的最终产物。而经过深入分析,可以得出《失乐园》中的模糊性正是权力(以弥尔顿时期的政治背景和宗教为代表)和颠覆(以弥尔顿自己对自由的追求和宗教诠释为代表)协商的最终产物。此外,由《失乐园》中的模糊性所反映的弥尔顿的意识形态也在此阐述总结。本文在结论中稍有提及新历史主义中的“互文性”,以求除了对模糊性的研究之外,可以再次肯定《失乐园》的重要地位。
[Abstract]:"Paradise lost" is by the 17th century English poet John? A historical poetic poem by Milton. Milton selects a biblical story as the main part of the poem, and explains in Paradise lost the story of the human ancestors Adam and Eve who were tempted by the fallen angel Satan to betray God and were eventually expelled from the Garden of Eden. This paper expounds the fuzziness of Milton's Paradise lost by using the theory of Empson. In Empson's Seven forms of complex meaning, he divides fuzziness into seven types. The fuzziness produced in Paradise lost belongs to the sixth and seventh fuzziness defined by Empson: the image of God, the fuzziness produced by the image of Satan, belongs to the seventh fuzziness. Because two conflicting descriptions, defined by context, are applied to the shaping of one image at the same time; and the fuzziness of the blending of the Bible and Greek and Roman mythology belongs to the sixth kind of ambiguity. Because the fusion of two unrelated cultural systems is bound to form ambiguity. In this section, some of the text will be cited to analyze the fuzziness of the text. Besides analyzing the expression of fuzziness, the historical origin of its formation will also be analyzed in detail with the methodology of neo-historicism. Neo-historicists believe that literature has a political dimension and is the final product of power and subversive negotiation. After in-depth analysis, It can be concluded that the fuzziness in Paradise lost is the final product of the negotiation of power (represented by the political background and religion of Milton's time) and subversion (represented by Milton's own pursuit of freedom and religious interpretation). In addition, Milton's ideology, reflected by the fuzziness in Paradise lost, is summarized here. This paper refers to the "intertextuality" in New historicism in order to confirm the importance of Paradise lost in addition to the study of fuzziness.
【学位授予单位】：浙江财经学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.072

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