品特剧作中的质疑空间

发布时间：2018-07-24 09:33

【摘要】：众所周知，哈罗德-品特的剧作向来以其独树一帜的风格闻名于世。影影绰绰、模棱两可的故事情节、极具压迫感的密闭空间、以及逻辑不明的对话等等，，都赋予了品特剧作神秘诱人的独特魅力。而恰恰是这种别具一格作品风格使得评论家们难以将其归入任何戏剧流派。因此，在《牛津英语词典》中出现了以哈罗德-品特之姓氏命名的形容词——“品特风格的”（Pinteresque）。而由品特戏剧风格衍生出来的“威胁喜剧”（Comedy of Menace）和“记忆戏剧”（MemoryPlay）等概念也已成为戏剧词典中的重要术语。由此可见，品特在整个戏剧领域中不可或缺的影响力。品特极具个性之作品风格的形成与其认为“真实与假想”、“真实与虚假”之间其实并无明确区别的观点息息相关，因此，在他的戏剧作品中不断传达出对某些既定观念的质疑声，并由此形成了一个多角度、多层次的质疑空间。而这个质疑空间并非消极的否定，相反的，它的存在体现的是一种挑战精神和积极思考的态度。本文意在从品特的创作理念及创作手法的角度切入，对其呈现出的独特戏剧形式以及隐藏在这种独特戏剧形式下的质疑空间之意义进行探讨。
[Abstract]:Harold Pinter's plays are well known for their unique style. Allusions, ambiguous storylines, oppressive closeness, and illogical dialogue all give Pinter the mysterious and seductive charm of his plays. It is precisely this unique style of work that makes it difficult for critics to categorize it into any genre of drama. Therefore, in the Oxford English Dictionary, the adjective "Pinter style" (Pinteresque)., named after Harold Pinter's last name, appeared in the Oxford English Dictionary. The concepts of "threat comedy" (Comedy of Menace) and "memory drama" (MemoryPlay) derived from Pinter's drama style have also become important terms in the drama dictionary. From this we can see that Pinter has an indispensable influence in the whole field of drama. The formation of Pinter's unique style of work is closely related to his view that there is no clear distinction between "truth and fiction" and "truth and falsehood". In his drama works, he constantly conveys the voice of questioning certain established concepts, and thus forms a multi-angle, multi-level questioning space. This doubt space is not negative, on the contrary, it embodies a spirit of challenge and positive thinking attitude. The purpose of this paper is to probe into the unique form of drama and the significance of the doubt space hidden in this unique form of drama from the angle of Pinter's creative ideas and techniques.
【学位授予单位】：上海戏剧学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：I561.073

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