库切作品中的人物命运及灵魂拯救
发布时间：2018-07-28 13:23
【摘要】：J.M.库切作品中主人公的基本命运可以概括为：总是沦为局外人,一次次令人惊讶地介入。这些主人公们由于遭遇历史和现实政治的冲撞、日常变故的袭击、衰老与疾病等自然属性导致的坠落而沦为局外人,陷入了痛苦的边缘情境。于是,他们不得不以局外人的身份面对世界边缘上的边界状态,探寻合适的介入途径,以摆脱身处边缘的困境。面对边缘情境,库切的主人公们有的采取了主动应对的态度,成为西绪福斯式的反抗者；有的则依凭自我的本能不断逃避；也有人在困境中踌躇不前不知所往。他们应对、逃避、踌躇的过程,也是他们自身命运不断下降的痛苦过程。然而,在命运的最低谷,他们遭受打击、沉沦落魄乃至被剥夺了外在的尊严之后,总是能够奇迹般地获得重新站起来的力量。库切以众多的作品呈示了一个反复建构的模式：盘旋下降的命运是其人物拯救灵魂的必要途径。悬置的文化认同,悬置的祖国南非,使得库切自传体小说三部曲中的主人公约翰·库切在世界上任何一个地方都缺乏存在的根基。从《男孩》到《青春》、《夏日》,无根的异乡人命运如影随形、根深蒂固。这一无根的命运令约翰·库切一生处于局外境遇,备感孤离。为了克服由此带来的巨大的精神痛苦,约翰·库切经历了自身命运的下降,却执着地以写作的方式努力实现了自我灵魂的拯救。卡夫卡是衡量其他作家的重要标杆,且对库切影响深远。两位作家作品中的人物命运同中有异,异中有同。卡夫卡的人物们因为“原罪”瞬间坠入边缘情境,这一情境奠定了他们未来命运的基调,他们的努力永远是徒劳。库切的人物们则因具体的事件而遭遇边缘情境,且这只是他们故事的开始。他们在边缘情境之中痛苦寻求介入的过程,艰难见证了我们这个时代被遮蔽的种种隔离；而他们在命运降下的最低处重新站起来的经历最终表明,神圣的人性之火一定能够照亮那些幽暗之地。
[Abstract]:J.M. The basic fate of the protagonists in Kuche's works can be summed up as follows: always becoming an outsider and intervening amazingly again and again. These protagonists fall into an outsider because of the collision of history and politics, the attack of daily changes, the fall of aging and disease and so on, and they fall into a painful marginal situation. As a result, they have to face the border state on the edge of the world as an outsider and seek suitable ways of intervention to get rid of the predicament on the edge. Faced with the marginal situation, some of Kuche's protagonists take the initiative to deal with the situation and become the resistance of Seussure; others run away from each other by their own instinct; others hesitate to know what to do in the difficult situation. Their process of coping, escaping, and hesitating is also a painful process of their own declining destiny. However, at the lowest point of fate, they are always miraculously able to regain the power to stand up after being hit, sunk, and even deprived of their external dignity. Kuche presents a pattern of repeated construction in his numerous works: the fate of hovering and falling is the necessary way for his characters to save their souls. The suspended cultural identity and the suspended motherland South Africa make the protagonist John Kutcher in the trilogy of Kuche's autobiographical novels lack the foundation of existence in any part of the world. From Boys to Youth, Summer, the fate of rootless aliens is ingrained. This rootless fate left John Kutcher in an out-of-the-box situation and a sense of isolation. In order to overcome the great spiritual pain, John Kuchet has experienced the decline of his own destiny, but has worked hard to realize the salvation of his own soul in the way of writing. Kafka is an important benchmark for other writers and has a profound impact on Kuche. The fates of the characters in the works of the two writers are different from each other. Kafka's characters fall to the edge of the moment because of original sin, which sets the tone of their future destiny, and their efforts are always in vain. Kuche's characters are at the edge of events, and this is just the beginning of their story. Their painful search for intervention in a marginal context is a difficult witness to the isolation of our time, and their experience of getting back to their feet at the lowest point of fate finally shows that, The sacred fire of humanity must illuminate the dark places.
【学位授予单位】：南京师范大学
【学位级别】：博士
【学位授予年份】：2012
【分类号】：I478.074
，
本文编号：2150290
[Abstract]:J.M. The basic fate of the protagonists in Kuche's works can be summed up as follows: always becoming an outsider and intervening amazingly again and again. These protagonists fall into an outsider because of the collision of history and politics, the attack of daily changes, the fall of aging and disease and so on, and they fall into a painful marginal situation. As a result, they have to face the border state on the edge of the world as an outsider and seek suitable ways of intervention to get rid of the predicament on the edge. Faced with the marginal situation, some of Kuche's protagonists take the initiative to deal with the situation and become the resistance of Seussure; others run away from each other by their own instinct; others hesitate to know what to do in the difficult situation. Their process of coping, escaping, and hesitating is also a painful process of their own declining destiny. However, at the lowest point of fate, they are always miraculously able to regain the power to stand up after being hit, sunk, and even deprived of their external dignity. Kuche presents a pattern of repeated construction in his numerous works: the fate of hovering and falling is the necessary way for his characters to save their souls. The suspended cultural identity and the suspended motherland South Africa make the protagonist John Kutcher in the trilogy of Kuche's autobiographical novels lack the foundation of existence in any part of the world. From Boys to Youth, Summer, the fate of rootless aliens is ingrained. This rootless fate left John Kutcher in an out-of-the-box situation and a sense of isolation. In order to overcome the great spiritual pain, John Kuchet has experienced the decline of his own destiny, but has worked hard to realize the salvation of his own soul in the way of writing. Kafka is an important benchmark for other writers and has a profound impact on Kuche. The fates of the characters in the works of the two writers are different from each other. Kafka's characters fall to the edge of the moment because of original sin, which sets the tone of their future destiny, and their efforts are always in vain. Kuche's characters are at the edge of events, and this is just the beginning of their story. Their painful search for intervention in a marginal context is a difficult witness to the isolation of our time, and their experience of getting back to their feet at the lowest point of fate finally shows that, The sacred fire of humanity must illuminate the dark places.
【学位授予单位】：南京师范大学
【学位级别】：博士
【学位授予年份】：2012
【分类号】：I478.074
，
本文编号：2150290
本文链接：https://www.wllwen.com/wenyilunwen/wxchuangz/2150290.html
